The Idler in FranceBlessington, Marguerite, Countess of
History
The Idler in France
Blessington, Marguerite, Countess of
France -- Description and travel; France -- Social life and customs
How strange, yet how agreeable too, must the change be, from the most
formal court, over which Etiquette holds a despotic sway, to the
freedom from such disagreeable constraint permitted to those in private
life, and now enjoyed by this Spanish princess!
She appears to enjoy this newly acquired liberty with a zest in
proportion to her past enthralment, and has proved that the daughter of
a King of Portugal has a heart, though the queens of its neighbour,
Spain, were in former days not supposed to have legs.
During the evolutions, a general officer was thrown from his horse; and
a universal agitation among a group of ladies evinced that they were in
a panic. Soon the name of the general, Count de Bourmont, was heard
pronounced; and a faint shriek, followed by a half swoon from one of
the fair dames, announced her deep interest in the accident.
Flacons and vinaigrettes were presented to her on every side, all the
ladies present seeming to have come prepared for some similar
catastrophe; but in a few minutes a messenger, despatched by the
general, assured Madame la Comtesse of his perfect safety; and tears of
joy testified her satisfaction at the news.
This little episode in the review shewed me the French ladies in a very
amiable point of view. Their sensibility and agitation during the
uncertainty as to the person thrown, vouched for the liveliness of
their conjugal affection; and their sympathy for Madame la Comtesse de
Bourmont when it was ascertained that her husband was the sufferer,
bore evidence to the kindness of their hearts, as well as to their
facility in performing the little services so acceptable in moments
like those I had just witnessed.
Charles X, the Dauphin and Dauphine, and the Duchesse de Berri, were
present--the two latter in landaus, attended by their ladies. The king
looked well, his grey hair and tall thin figure giving him a very
venerable aspect.
The Dauphine is much changed since I last saw her, and the care and
sorrow of her childhood have left their traces on her countenance. I
never saw so melancholy a face, and the strength of intellect which
characterises it renders it still more so, by indicating that the marks
of sorrow so visible were not indented on that brow without many an
effort from the strong mind to resist the attacks of grief.
I remember reading years ago of the melancholy physiognomy of King
Charles I, which when seen in his portrait by a Florentine sculptor, to
whom it was sent in order that a bust should be made from it, drew
forth the observation that the countenance indicated that its owner
would come to a violent death.
Public-domain text, read in full here on John Shaqi.
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