The door on the left-hand end of the large _salon_ opens into a beautiful room, known as the _Salle de la Victoire_, from its being decorated by paintings allegorical of Victory. This apartment is lighted by two large windows, and opposite to them is a deep recess, or alcove. A cornice extends around the room, about four feet beneath the ceiling, and is supported by white columns, projecting into the chamber, on each of which stands a figure of Victory offering a wreath of laurels. This cornice divides the room from the recess before mentioned. The chimney-piece is in a recess, with columns on each side; and the large mirror over it, and which is finished by the cornice, is faced by a similar one, also in a recess, with white columns, standing on a plinth on each side. The windows are finished by the former cornice, that extends round the rooms, and have similar columns on each side with Victories on them, and a mirror between. The room is white and gold, with delicate arabesques, and medallions exquisitely painted. This _salon_ communicates with a corridor behind it, which admits the attendance of servants without the necessity of their passing through the other apartments. Inside this _salon_ is a _chambre à coucher_, that looks as if intended for some youthful queen, so beautiful are its decorations. A recess, the frieze of which rests on two white columns with silvered capitals, is meant to receive a bed. One side of the room is panelled with mirrors, divided by pilasters with silver capitals; and on the opposite side, on which is the chimney, similar panels occupy the same space. The colour of the apartment is a light blue, with silver mouldings to all the panels, and delicate arabesques of silver. The chimney-piece and dogs for the wood have silvered ornaments to correspond. Inside this chamber is the dressing-room, which is of an octagon shape, and panelled likewise with mirrors, in front of each of which are white marble slabs to correspond with that of the chimney-piece. The mouldings and architectural decorations are silvered, and arabesques of flowers are introduced. This room opens into a _salle de bain_ of an elliptical form; the bath, of white marble, is sunk in the pavement, which is tessellated. From the ceiling immediately over the bath hangs an alabaster lamp, held by the beak of a dove; the rest of the ceiling being painted with Cupids throwing flowers. The room is panelled with alternate mirrors and groups of allegorical subjects finely executed; and is lighted by one window, composed of a single plate of glass opening into a little spot of garden secluded from the rest. A small library completes the suite I have described, all the apartments of which are on the ground floor. There are several other rooms in a wing in the court-yard, and the whole are in perfect order.