The Idler in FranceBlessington, Marguerite, Countess of
History
The Idler in France
Blessington, Marguerite, Countess of
France -- Description and travel; France -- Social life and customs
The tone of society at Paris is very agreeable. Literature, the fine
arts, and the general occurrences of the day, furnish the topics for
conversation, from which ill-natured remarks are exploded. A
ceremoniousness of manner, reminding one of _la Vieille Cour_, and
probably rendered _à la mode_ by the restoration of the Bourbons,
prevails; as well as a strict observance of deferential respect from
the men towards the women, while these last seem to assume that
superiority accorded to them in manner, if not entertained in fact, by
the sterner sex.
The attention paid by young men to old women in Parisian society is
very edifying, and any breach of it would be esteemed nothing short of
a crime. This attention is net evinced by any flattery, except the most
delicate--a profound silence when these belles of other days recount
anecdotes of their own times, or comment on the occurrences of ours, or
by an alacrity to perform the little services of picking up a fallen
_mouchoir de poche, bouquet_, or fan, placing a shawl, or handing to a
carriage.
If flirtations exist at Paris, they certainly are not exhibited in
public; and those between whom they are supposed to be established
observe a ceremonious decorum towards each other, well calculated to
throw discredit on the supposition. This appearance of reserve may be
termed hypocrisy; nevertheless, even the semblance of propriety is
advantageous to the interests of society; and the entire freedom from
those marked attentions, engrossing conversations, and from that
familiarity of manner often permitted in England, without even a
thought of evil on the part of the women who permit these
indiscretions, leaves to Parisian circles an air of greater dignity and
decorum, although I am not disposed to admit that the persons who
compose them really possess more dignity or decorum than my
compatriots.
Count Charles de Mornay was presented to me to-day. Having heard of him
only as--
"The glass of fashion and the mould of form,
The observed of all observers,"
I was agreeably surprised to find him one of the most witty,
well-informed, and agreeable young men I have ever seen. Gay without
levity, well-read without pedantry, and good-looking without vanity. Of
how few young men of fashion could this be said! But I am persuaded
that Count Charles de Mornay is made to be something better than a mere
man of fashion.
Spent all the morning in the Hôtel Ney, superintending the placing of
the furniture. There is nothing so like the magicians we read of as
Parisian upholsterers; for no sooner have they entered a house, than,
as if touched by the hand of the enchanter, it assumes a totally
different aspect. I could hardly believe my eyes when I entered our new
dwelling, to-day.
Already were the carpets--and such carpets, too--laid down on the
_salons_; the curtains were hung; _consoles_, sofas, tables, and chairs
placed, and lustres suspended. In short, the rooms looked perfectly
habitable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account