Meantime seated in the Brussels express, Esperance had fixed her
attention on the constantly changing horizon, and was giving herself
up to myriad impressions as they went fleeting by. The great plains
rolling interminably out of sight pleased her; the light mist rising
from the earth seemed to her the breath of the shivering tall grasses,
offering the sun the drops of dew which glinted at the summit of their
slender stems. She too, on this beautiful autumn morning, felt herself
expanding towards the sky. Her fresh lips were offering themselves to
the kisses of life. She was at that moment a vision of the radiance of
youth. Maurice was so struck by her beauty that he drew a little
sketch, and resolved to do her portrait, just as she was at that
moment. No love entered into this admiration; he saw as a painter, he
dreamed as an artist! Jean Perliez looked at the sketch, then at the
model, and was left dazzled and dolorous. Finally magnetized by the
looks fixed upon her, Esperance turned her head away with a little cry
of surprise. Mlle. Frahender, who had been asleep, opened her eyes,
and straightened the angle of her bonnet. Esperance shook her pretty
head laughing, while Maurice exhibited his sketch and announced to his
cousin his desire to paint her portrait.
"How pleased my father will be," she cried. "I thank you in advance
for the joy that you will give him."
The conversation became general, animated, merry, just what was to be
expected at their happy age. Soon after the train stopped; they had
arrived at Brussels.
Jean Perliez jumped lightly on to the platform. Mlle. Frahender
adjusted her hat, after having carefully folded up her bonnet, and
Maurice helped Marguerite to count the pieces of luggage. Just as
Esperance was getting out to help her old companion, she had a feeling
of reaction, her face grew pale with fright at an impression she could
not define: two long arms were stretched towards her. And she recalled
the hallucination or vision she had seen in her own mirror at home, on
the day when she had tried to interrogate destiny.
Count Albert Styvens was standing on the platform before her, holding
out his arms, his hands open. Totally dazed without understanding
herself why it should be so, the young girl closed her eyes. She felt
herself lifted, and set down upon the ground. Although the movement
had been one of perfect respect, she felt angry with this man for
having imposed his will upon her. When she looked at him he was
already speaking to Mlle. Frahender, whom he recollected having seen
in Esperance's room at the Vaudeville.
"Will you not both take my mother's carriage?" he asked.
His voice, slow, correct, a little distant, fell on the ear of the
young actress.
"But," Jean objected quickly, "I have engaged the landau from the
Grand Hotel."
"Very well, we three can go in that," said the Count, as he guided the
old lady and the young one towards a perfectly appointed _coupé_,
drawn by two magnificent sorrels.
Public-domain text, read in full here on John Shaqi.
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