The Count was intoxicated by the light perfume of Esperance's body
there so near him that he seemed almost to touch her. His strong hands
rose and fell beside her delicate fingers, making the young girl think
of a great hawk fluttering over white pigeons, at the farm of Penhouet
in Brittany, where for years she had spent her holidays. The fragment
was executed brilliantly, for these two persons, united in their
enthusiasm for art, although so different in personal reactions, gave
the two auditors of this musical treat a magnificent interpretation of
Liszt's genius. François Darbois and his wife, both distinguished in
their appreciation of the beautiful, could not sufficiently thank the
Count, dividing his praises with congratulations to their daughter.
"You surpassed yourself, my dear," said the philosopher, "but then I
admit that you have never before had such a partner. It was really
remarkable."
When the young man had left, Esperance excused herself, saying that
she was tired. She kissed her parents tenderly, although for the first
time she felt an unjust and unfounded resentment against them. She was
aggrieved that they should see nothing of Count Styvens's manoeuvres.
The maid, helping her to undress, exclaimed, "How grand it was this
evening, Mademoiselle, and what a fine young gentleman!"
Esperance shrugged her shoulders disdainfully. Marguerite, coming in
to see that the young mistress whom she adored wanted nothing, could
not help saying, "Ah! Mademoiselle, what talent he has, that young
Count! How well you two did look, your backs, sitting side by side! I
just said to myself...."
Esperance shivered, guessing what was coming, and interrupted the good
woman quickly, "Don't talk to me Marguerite, to-night. I am tired and
I must go to sleep."
But she did not sleep.
CHAPTER XIII
The last presentation of Sardou's play was a veritable ovation for
Esperance. Flowers were presented to her on the stage. Two baskets
attracted special attention, one overflowing with white orchids; the
other, with gardenias, so powerful in their sweetness that even the
first rows of the orchestra felt their strength. It was rumoured in
the boxes that the white orchids were sent by the Countess Styvens and
her son Albert, who were sitting in a stall in the auditorium. As to
the gardenias, the card attached to the green ribbons of the basket
revealed the name of the most elegant clubman of Paris, the Duke
Charles de Morlay-La-Branche. He was a handsome man of thirty-two,
very wealthy, adored by women, popular with men. A ripple ran through
the audience.
"You know the Duke, they say that he is very much taken...."
"They know each other?"
"No, he has never been presented."
Public-domain text, read in full here on John Shaqi.
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