Farm life -- Fiction; Love stories; New England -- Fiction
One of the advantages of being a bachelor when you are building or
restoring a house is that you can spend most of your time in the
garden. I am by nature a trusting soul anyway (which no woman and
possibly no wise man ever is where carpenters, builders, and plumbers are
concerned), and I trusted Hard Cider implicitly. He told me the plumbers
were "doin' all right," and I believed him. That he himself was doing
all right my own eyes told me, for he had by now reached the south
rooms, removed the dividing partition, revealing the old, hand-hewn oak
beam at the top, and was cutting a double door out in the centre on
either side of the great oak upright, toward my future sundial lawn.
I stood in this new door, looking back at my twin fireplaces, with
their plain-panelled old mantels.
"Mr. Howard," said I, "those mantels are about as plain as you could
make 'em, and yet they are very handsome, somehow, dingy as they are."
"It's the lines," said Hard Cider. "Jest the right lines. Lower 'em
six inches, and whar'd they be?"
"Could you build me a bookcase, against the wall, just like them, from
one to the other and bring it out at right angles five feet into the room
from the centre, making it the back of a double settle?" I asked.
"I'm a carpenter," Hard replied laconically.
"Could you draw me what it would look like first?"
"I ain't said I wuz an artist," he answered. "Draw it yerself."
I took his proffered pencil, and sketched what I wanted on a clean board.
"Yer got too much curve on the base and arms o' them settles," he said
judicially. "Ain't no curves in your mantels. You want 'em square,
with a panel like them over your fireplaces."
He took the pencil away from me, and made a quick, neat, accurate sketch
of just what I instantly saw I did want.
[Illustration:]
I shrugged my shoulders. "Go ahead!" said I. "What did you ask me to
draw it for in the first place?"
"Folks likes to think they hev their own idees," he answered.
I turned away, through the new south door, into the May sunshine. The
pergola was not commenced. In fact, I had decided not to build it till
the following spring. Those beastly painters whom I had forgotten were
going to eat up too much of my slender capital. Before me stretched the
250 feet of ploughed slope which was to be my sundial lawn. At the end of
it was my line of stakes where the ramblers were to climb. Beyond that
was the vegetable garden, newly harrowed and fertilized, where Mike and
Joe were busily working, the one planting peas, the other setting out a
row of beets. The horse was not in evidence. I could have him at last,
to make my lawn! I ran around the house to the stable, clumsily put on
his harness, for I was not used to horses, led him to the shed where my
tools were stored, hitched him to my new drag scraper, and drove him to
the slope.
Public-domain text, read in full here on John Shaqi.
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