Unwilling, however, to seem obstinate in both these particulars, I conformed myself in some measure to these objections, though unconvinced myself of their propriety. Several of the rudest and most unshapely lines I composed anew; and several of the pauses least in use I displaced for the sake of an easier enunciation.—And this was the state of the work after the revisal given it about seven years since. Between that revisal and the present a considerable time intervened, and the effect of long discontinuance was, that I became more dissatisfied with it myself, than the most difficult to be pleased of all my judges. Not for the sake of a few uneven lines or unwonted pauses, but for reasons far more substantial. The diction seemed to me in many passages either not sufficiently elevated, or deficient in the grace of ease, and in others I found the sense of the original either not adequately expressed or misapprehended. Many elisions still remained unsoftened; the compound epithets I found not always happily combined, and the same sometimes too frequently repeated. There is no end of passages in Homer, which must creep unless they are lifted; yet in such, all embellishment is out of the question. The hero puts on his clothes, or refreshes himself with food and wine, or he yokes his steed, takes a journey, and in the evening preparation is made for his repose. To give relief to subjects prosaic as these without seeming unreasonably tumid is extremely difficult. Mr. Pope much abridges some of them, and others he omits; but neither of these liberties was compatible with the nature of my undertaking. These, therefore, and many similar to these, have been new-modeled; somewhat to their advantage I hope, but not even now entirely to my satisfaction. The lines have a more natural movement, the pauses are fewer and less stately, the expression as easy as I could make it without meanness, and these were all the improvements that I could give them. The elisions, I believe, are all cured, with only one exception. An alternative proposes itself to a modern versifier, from which there is no escape, which occurs perpetually, and which, choose as he may, presents him always with an evil. I mean in the instance of the particle (_the_). When this particle precedes a vowel, shall he melt it into the substantive, or leave the _hiatus_ open? Both practices are offensive to a delicate ear. The particle absorbed occasions harshness, and the open vowel a vacuity equally inconvenient. Sometimes, therefore, to leave it open, and sometimes to ingraft it into its adjunct seems most advisable; this course Mr. Pope has taken, whose authority recommended it to me; though of the two evils I have most frequently chosen the elision as the least.