The Iliad of Homer: Translated into English Blank Verse by William Cowper — John Shaqi
The Iliad of Homer: Translated into English Blank Verse by William CowperHomer
General
The Iliad of Homer: Translated into English Blank Verse by William Cowper
Homer
Achilles (Mythological character) -- Poetry; Epic poetry, Greek -- Translations into English; Trojan War -- Poetry
Very few signatures had at this time been affixed to the notes; but I
afterward compared them with the Greek, note by note, and endeavored to
supply the defect; more especially in the last three Volumes, where the
reader will be pleased to observe that all the notes without signatures
are Mr. Cowper’s, and that those marked B.C.V. are respectively found
in the editions of Homer by Barnes, Clarke, and Villoisson. But the
employment was so little to the taste and inclination of the poet, that
he never afterward revised them, or added to their number more than
these which follow;—In the Odyssey, Vol. I. Book xi., the note 32.—Vol.
II. Book xv., the note 13.—The note10 Book xvi., of that volume, and
the note 14, Book xix., of the same.
ADVERTISEMENT TO SOUTHEY’S EDITION
It is incumbent upon the present Editor to state the reasons which have
induced him, between two editions of Cowper’s Homer, differing so
materially from each other that they might almost be deemed different
versions, to prefer the first.
Whoever has perused the Translator’s letters, must have perceived that
he had considered with no ordinary care the scheme of his
versification, and that when he resolved upon altering it in a second
edition, it was in deference to the opinion of others.
It seems to the Editor that Cowper’s own judgment is entitled to more
respect, than that of any, or all his critics; and that the version
which he composed when his faculties were most active and his spirits
least subject to depression,—indeed in the happiest part of his
life,—ought not to be superseded by a revisal, or rather
reconstruction, which was undertaken three years before his death,—not
like the first translation as “a pleasant work, an innocent luxury,”
the cheerful and delightful occupation of hope and ardor and
ambition,—but as a “hopeless employment,” a task to which he gave “all
his miserable days, and often many hours of the night,” seeking to
beguile the sense of utter wretchedness, by altering as if for the sake
of alteration.
The Editor has been confirmed in this opinion by the concurrence of
every person with whom he has communicated on the subject. Among others
he takes the liberty of mentioning Mr. Cary, whose authority upon such
a question is of especial weight, the Translator of Dante being the
only one of our countrymen who has ever executed a translation of equal
magnitude and not less difficulty, with the same perfect fidelity and
admirable skill.
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