[Illustration]
_The_
Illiterate Digest
BY
WILL ROGERS
[Illustration]
ALBERT & CHARLES BONI
NEW YORK 1924
_Copyright, 1924, by Albert & Charles Boni_
Copyright, 1923, 1924, by McNaught Syndicate, Inc.
PRINTED IN THE UNITED STATES OF AMERICA
TWO LETTERS AND A DEDICATION
Most Books have to have an Excuse by some one for the Author, but this
is the only Book ever written that has to have an Alibi for the Title,
too. About 4 years ago, out in California, I was writing sayings for
the Screen and I called it the Illiterate Digest. Well one day up bobs
the following letter from this N. Y. Lawyer. It and the answer are
absolutely just as they were exchanged at that time.
WILLIAM BEVERLY WINSLOW LAWYER
55 Liberty Street,
New York, N. Y.
_Nov. 5th, 1920._
Will Rogers, Esq.,
c/o Goldwyn Studios,
Culver City, Calif.
_Dear Sir_:--
_My client, the Funk & Wagnalls Company, publishers of the “Literary
Digest” have requested me to write to you in regard to your use of
the phrase, “The Illiterate Digest,” as a title to a moving picture
subject gotten up by you, the consequence of which may have escaped
your consideration._
_For more than two years past it (my client) has placed upon the
moving picture screen a short reel subject carrying the title “Topics
of the Day” selected from the Press of the World by “The Literary
Digest.” This subject has achieved a wide popularity both because of
the character and renown of “The Literary Digest” and through the
expenditure of much time, effort and money by its owners in presenting
the subject to the public. “The Literary Digest” is a publication
nearly thirty years old, and from a small beginning has become
probably the most influential weekly publication in the world. Its
name and the phrase “Topics of the Day” are fully covered by usage as
trademarks as well as by registration as such in the United States
Patent Office._
_During several months past your “title,” “The Illiterate Digest”
has been repeatedly called to our attention and we are told that the
prestige of “The Literary Digest” is being lowered by the subject
matter of your film as well as by the title of your film because the
public naturally confuse the two subjects. We are also told that
exhibitors are being misled by the similarity of titles and that
some of them install your subject in the expectation that they are
securing “The Literary Digest Topics of the Day.”_
_It seems to me self-evident that your title would scarcely have
been thought of or adopted had it not been for our magazine and for
our film. If this were not the case the title which you use would be
without significance to the general public._
Public-domain text, read in full here on John Shaqi.
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