The Illustrated Key to the Tarot: The Veil of Divination — John Shaqi
The Illustrated Key to the Tarot: The Veil of DivinationDe Laurence, L. W. (Lauron William)
Religion
The Illustrated Key to the Tarot: The Veil of Divination
De Laurence, L. W. (Lauron William)
Fortune-telling by cards; Tarot
The two classes of significance which are attached to the Tarot
in the superior and inferior worlds, and the fact that no occult or
other writer has attempted to assign anything but a divinatory
meaning to the Minor Arcana, justify in yet another manner the
hypothesis that the two series do not belong to one another. It is
possible that their marriage was effected first in the Tarot of
Bologna by that Prince of Pisa whom I have mentioned in the
first part. It is said that his device obtained for him public recognition
and reward from the city of his adoption, which would
scarcely have been possible, even in those fantastic days, for the
production of a Tarot which only omitted a few of the small
cards; but as we are dealing with a question of fact which has to
be accounted for somehow, it is conceivable that a sensation
might have been created by a combination of the minor and
gambling cards with the philosophical set, and by the adaptation
of both to a game of chance. Afterwards it would have been
further adapted to that other game of chance which is called
fortune-telling. It should be understood here that I am not
denying the possibility of divination, but I take exception as a
mystic to the dedications which bring people into these paths, as if
they had any relation to the Mystic Quest.
The Tarot cards which are issued with the small edition of the
present work, that is to say, with the Key To The Tarot, have
been drawn and colored by Miss Pamela Colman Smith, and will,
I think, be regarded as very striking and beautiful, in their design
alike and execution. They are reproduced in the present
enlarged edition of the Key as a means of reference to the text.
They differ in many important respects from the conventional
archaisms of the past and from the wretched products of colportage
which now reach us from Italy, and it remains for me to
justify their variations so far as the symbolism is concerned.
That for once in modern times I present a pack which is the work
of an artist does not, I presume, call for apology, even to the
people—if any remain among us—who used to be described and
to call themselves "very occult." If any one will look at the gorgeous
Tarot valet or knave who is emblazoned on one of the page
plates of Chatto's Facts And Speculations Concerning The History
Of Playing Cards, he will know that Italy in the old days
produced some splendid packs. I could only wish that it had
been possible to issue the restored and rectified cards in the same
style and size; such a course would have done fuller justice to the
designs, but the result would have proved unmanageable for those
practical purposes which are connected with cards, and for which
allowance must be made, whatever my views thereon. For the
variations in the symbolism by which the designs have been
affected, I alone am responsible. In respect of the Major
Arcana, they are sure to occasion criticism among students, actual
and imputed.
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