walk, rising an inch or two every step, will have many corresponding ups and downs in life, because of their irregularity of character and feeling. Those, too, who make a great ado in walking, will make much needless parade in every thing else, and hence spend a great amount of useless steam in all they undertake, yet accomplish little; whereas those who walk easily, or expend little strength in walking, will accomplish great results with a little strength, both mentally and physically. In short, every individual has his own peculiar mode of moving, which exactly accords with his mental character; so that, as far as you can see such modes, you can decipher such outlines of character. To DANCING, these principles apply equally. Dr. Wieting, the celebrated lecturer on physiology, once asked where he could find something on the temperaments, and was answered, "Nowhere; but if I can ever see you among men, I will give you a PRACTICAL lesson upon it." Accordingly, afterward, chance threw us together in a hotel, in which was a dancing-school that evening. Insisting on the fulfillment of our promise, we accompanied him into the dancing saloon, and pointed out, first, a small, delicately moulded, fine skinned, pocket-Venus, whose motions were light, easy, waving, and rather characterless, who put forth but little strength in dancing. We remarked--"She is very exquisite in feelings, but rather light in the upper story, lacking sense, thought, and strength of mind." Of a large, raw-boned, bouncing Betty, who threw herself far up, and came down good and solid, when she danced, we remarked--"She is one of your strong, powerful, determined characters, well suited to do up rough work, but utterly destitute of polish, though possessed of great force." Others came in for their share of criticism--some being all dandy, others all business, yet none all intellect. 14.--THE MODE OF SHAKING HANDS Also expresses character. Thus those who give a tame and loose hand, and shake lightly, have a cold, if not heartless and selfish disposition, rarely sacrificing much for others--probably conservatives, and lack warmth of soul. But those who grasp firmly, and shake heartily, have a corresponding whole-souledness of character, are hospitable, and will sacrifice business to friends; while those who bow low when they shake hands, add deference to friendship, and are easily led, for good or bad, by friends. 15. THE MOUTH AND EYES PECULIARLY EXPRESSIVE OF CHARACTER.