He was then about two leagues from Graufthal, in front of the Dripping
Pan public-house, where the inhabitants of St.-Jean des Choux came to
eat bacon omelettes, and to dance with their sweethearts. A number of
people were there: mowers in their shirt-sleeves, and peasant-girls of
the neighbourhood in short petticoats, whirling like the wind round the
arbour. They raised the leg, stamped, and made passes, double passes,
triple passes, and shouted enough to crack the clouds.
Coucou Peter, the fiddler, the famous Coucou Peter, welcomed in all
the beershops, breweries, and taverns of Alsace—the good, the jovial
Coucou Peter—was seated on a barrel of beer in a recess of the garden,
in his big drugget jacket, garnished with steel buttons the size of
crown-pieces, with fresh-coloured, plump-looking cheeks, and his hat
surmounted by a cock’s feather. He was scraping with full elbow-power
an old country waltz, and formed in himself the whole orchestra of the
Dripping Pan. Wine, beer, and kirschwasser flowed on the tables, and
vigorous kisses, quite openly given, stimulated the universal enjoyment.
In spite of all his cares for the future of the world and of
civilisation, Frantz Mathéus could not withhold his admiration from this
pleasant sight. He pulled up behind the arbour, and laughed heartily
at the little kissings and lovemakings which he discovered through the
hornbeam hedge. But while the good man was giving himself up to these
curious observations, the fiddler suddenly stopped in the midst of a
flourish, sprang from his barrel, and cried, in a ringing voice—
“Ha! ha! ha!—the Doctor! Good Doctor Frantz! Hi, there! Make way for me,
that I may bring you the inventor of the peregrination of souls and the
transformation of men into potatoes!”
It must be understood that the illustrious philosopher had committed
the imprudence of communicating his psychologico-anthropo-zoological
meditations to Coucou Peter, who had no fear of compromising the system
by disrespectful allusions.
“Ho, Dr. Mathéus!” he cried, coming out of his retreat, “you’ve come in
the nick of time. Hey for jollity!”
And throwing his hat into the air, he leaped the ditch, climbed over the
paling, and seized Bruno by the bridle.
There was a general hurrah, for all the good people present knew Mathéus.
“Come in, Doctor! Take a glass of wine, Doctor!—no, a glass of
kirschwasser—this way, Doctor!”
One took him by the collar, another by the arm, a third by the tail of
his coat; and they shouted, and the women laughed, till poor Frantz did
not know which way to turn.
Bruno was led into the shade, and a feed of oats given him, and two
minutes afterwards the illustrious philosopher found himself seated
between Petrus Brentz the gamekeeper, and Tobie Müller, the landlord of
the Dripping Pan. Before him danced Coucou Peter, now on one leg, now on
the other, and playing the famous Hopser of Lutzelstein with a seductive
energy that was truly amazing.
“Take my jug,” cried Tobie.
Public-domain text, read in full here on John Shaqi.
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