He knows all the good and bad haunts in France, “de actu et visu.” He
can pilot you, on occasion, to vice or virtue with equal assurance.
Blest with the eloquence of a hot-water spigot turned on at will, he can
check or let run, without floundering, the collection of phrases which
he keeps on tap, and which produce upon his victims the effect of a
moral shower-bath. Loquacious as a cricket, he smokes, drinks, wears a
profusion of trinkets, overawes the common people, passes for a lord
in the villages, and never permits himself to be “stumped,”--a slang
expression all his own. He knows how to slap his pockets at the right
time, and make his money jingle if he thinks the servants of the
second-class houses which he wants to enter (always eminently
suspicious) are likely to take him for a thief. Activity is not the
least surprising quality of this human machine. Not the hawk swooping
upon its prey, not the stag doubling before the huntsman and the hounds,
nor the hounds themselves catching scent of the game, can be compared
with him for the rapidity of his dart when he spies a “commission,” for
the agility with which he trips up a rival and gets ahead of him, for
the keenness of his scent as he noses a customer and discovers the sport
where he can get off his wares.
How many great qualities must such a man possess! You will find in all
countries many such diplomats of low degree; consummate negotiators
arguing in the interests of calico, jewels, frippery, wines; and often
displaying more true diplomacy than ambassadors themselves, who, for
the most part, know only the forms of it. No one in France can doubt the
powers of the commercial traveller; that intrepid soul who dares all,
and boldly brings the genius of civilization and the modern inventions
of Paris into a struggle with the plain commonsense of remote villages,
and the ignorant and boorish treadmill of provincial ways. Can we ever
forget the skilful manoeuvres by which he worms himself into the minds
of the populace, bringing a volume of words to bear upon the refractory,
reminding us of the indefatigable worker in marbles whose file eats
slowly into a block of porphyry? Would you seek to know the utmost power
of language, or the strongest pressure that a phrase can bring to bear
against rebellious lucre, against the miserly proprietor squatting
in the recesses of his country lair?--listen to one of these great
ambassadors of Parisian industry as he revolves and works and sucks like
an intelligent piston of the steam-engine called Speculation.
Public-domain text, read in full here on John Shaqi.
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