East and West -- Fiction; Giants -- Fiction; Science fiction
"It is a great pleasure to have you here, Professor Baker, although
there is in the circumstances some cause for regret. But all that in its
time. What do you think of our Buddha?"
As he spoke, Baker was glancing about the room, and I saw that his eye
had alighted upon an instrument just behind Rau's desk. A second look
showed it to be a tape recorder, with the operating lamp on.
"Until we have more data," replied Baker, "our views are still as you
have them recorded."
Phobat Rau laughed delightedly. "You're a good observer, Professor. Yes,
I must confess I was curious about your reactions to our charge. So you
doubt that he is alive?"
Baker nodded. "Under the circumstances last night, there was every
chance for a mistake, or a hoax."
"In that case, perhaps you would like a second look. He's right across
the valley now, having his breakfast."
We hastened to the window. Rau's office, we found, was in a sort of
cliff house perched half way up the northern side of the crater, and
commanded a view of the entire area, now brightly illuminated by the
morning sunlight. We easily identified the enormous furniture of last
night, against the west cliff about a mile away. But we had little
interest in these structures, monstrous as they were. For, sitting
cross-legged on the ground before the low table, was the giant. At that
distance he did not look so huge--in fact, with an effort we could
almost ignore scale and perspective and imagine that he was a normal
human fifty feet distant. He appeared a typical young Japanese, his hair
cut long in the old style, and wearing a sleeveless tunic like the
statues of Buddha. His face was smooth and serene, and he was eating a
white pasty looking substance from his great steel dish, using a big
spoon. Even as we watched, he finished the meal and stood up, causing
the whole building to sway slightly. He glanced about for a moment, his
eye lingering briefly in our direction, and then he walked in a
leisurely way to the lagoon, where he bent over and rinsed out his
utensils. Returning to the table, he placed them carefully in the
position we had noted last night. He then straightened to his full
height, raised his great arms far up into the morning air and began a
series of earth shaking calisthenics. After about ten minutes of this he
walked over to the leanto structure, entered and closed a curtain behind
him.
Rau, who had been watching us with great amusement, offered an
explanation.
"His reading room. Books on his scale would be a bit difficult to make,
so he uses microfilm and a projector. The microfilm," he added, "is on
eight by ten plates, and the screen is two hundred feet square."
We returned to the desk and took the seats Rau indicated.
"So now," said our host, "you would like to hear a word of explanation,
perhaps?"
"Several, if you can spare the time," answered Baker with a dryness
equal to Rau's.
Public-domain text, read in full here on John Shaqi.
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