THE IMITATOR
A NOVEL
By
PERCIVAL POLLARD
SAINT LOUIS
WILLIAM MARION REEDY
1901
CHAPTER I.
"The thing is already on the wane," said young Orson Vane, making a wry
face over the entree, and sniffing at his glass, "and, if you ask me, I
think the general digestion of society will be the better for it."
"Yes, there is nothing, after all, so tedious as the sham variety of a
table d'hote. Though it certainly wasn't the fare one came to this hole
for."
Luke Moncreith turned his eyes, as he said that, over the place they sat
in, smiling at it with somewhat melancholy contempt. Its sanded floor,
its boisterously exposed wine-barrels, the meaningless vivacity of its
Hungarian orchestra, evidently stirred him no more.
"No; that was the last detail. It was the notion of dining below stairs,
as the servants do. It had, for a time, the charm of an imitation.
Nothing is so delightful as to imitate others; yet to be mistaken for
them is always dreadful. Of course, nobody would mistake us here for
servants."
The company, motley as it was, could not logically have come under any
such suspicion. Though it was dining in a cellar, on a sanded floor,
amid externals that were illegitimate offsprings of a _Studenten Kneipe_
and a crew of Christy minstrels, it still had, in the main, the air of
being recruited from the smart world. At every other table there were
people whom not to know was to argue oneself unknown. These persons
obviously treated the place, and their being there, as an elaborate
effort at gaiety; the others, the people who were plainly there for the
first time, took it with the bewildered manner of those whom each new
experience leaves mentally exhausted. The touch of rusticity, here and
there, did not suffice to spoil the sartorial sparkle of the smart
majority. The champagne that the sophisticated were wise enough to
oppose to the Magyar vintages sparkled into veins that ran beautifully
blue under skin that held curves the most aristocratic, tints the most
shell-like. Tinkling laughter, vocative of insincerity, rang between the
restless passion of the violins.
Public-domain text, read in full here on John Shaqi.
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