"I dare say you are right. In the words of Fay Templeton, 'I've been
there and I know.' I have made my little detours: but the lane had,
thank fortune, a turning."
She saw through his playfulness, and her eyes went up to his in a
sympathy--oh, it made him reel for sweetness.
"I am glad," she said, simply.
"But we are getting serious again," he remonstrated, "that would never
do. Have we not sworn to be children? Let us pretend--let us pretend!"
He looked at the grey roofs, the spires oozing from the hill to the sky.
He looked at the grey dream beside him: so grey, so fair, so crowned
with the hue of the sun before the world had made him so brazen. "Let us
pretend," he went on, after a sigh, "that we are bound for the open
road, and that we are to come to an inn, and that we will order
something to eat. We--"
"Oh," she laughed, "you men, you men! Always something to eat!"
"You see, we are of coarse stuff; we cannot sup on star-dust, and dine
on bubbles. But--this is only to pretend! An imaginary meal is sometimes
so much more fun than a real one. At a real one, you see, I would have
to try to eat, and I could not spend the whole time looking at you, and
watching the sunshine on your hair, and the lilies--" He caught his
breath sharply, with a little clicking noise. "Dear God," he whispered,
"the lilies again! And I had never seen them until now."
"You are going to be absurd," she said, though her voice was hardly a
rebuke.
"And wouldn't I have excuse," he asked, "for all the absurdities in the
world! I want to be as absurd as I can; I want to think that there's
nothing in the world any uglier than--you."
"And will you dine off that thought?"
"Oh, no; that is merely one of the condiments. I keep that in reach,
while the other things come and go. I tell you: how would it be if we
began with a bisque of crab? The tenderest pink, you know, and not the
ghost of any spice that you can distinguish; a beautiful, creamy blend."
"You make it sound delicious," she admitted.
"We take it slowly, you know, religiously. The conversation is mostly
with the eyes. Dinner conversation is so often just as vapid as
dinner-music! The only point in favor of dinner-music is that we are
usually spared the sight of it. There is no truth more abused than the
one that music must be heard and not seen. When I am king I mean to
forbid any singing or playing of instruments within sight of the public;
it spoils all the pleasure of the music when one sees the uglinesses in
its execution."
"But people would not thank you if you kept the sight of Paderewski or
De Pachmann from them."
Public-domain text, read in full here on John Shaqi.
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