It was fortunate that the closing time for Wantage's theatre was now on. There was no hitch in Vane's plan of transporting Wantage to his home quarters; the servants at the Wantage establishment found nothing unusual in their master having been away for a day and a night; he was too frequently in the habit, when his house displeased him in some detail, to stay at hotels for weeks and months at a time; his household was ready for any vagary. Indisposition was nothing new with him, either; in reality and affectation these lapses from well-being were not infrequent with the great player. The doctor told him he needed rest--rest and sea-air; there was nothing to worry over; he had been working too hard, that was all. So the shell of what had been Wantage proceeded to a watering-place, while the kernel, now a part of Orson Vane, proceeded to astonish the town with its doings and sayings. Practice had now enabled Vane to control, with a certain amount of consciousness, whatsoever alien spirit he took to himself. Vigorous and alert as was the mumming temperament he was now in possession of, he yet contrived to exert a species of dominance over it; he submitted to it in the mode, the expression of his character, yet in the main-spring of his action he had it in subjection. He had reached, too, a plane from which he was able, more than on any of the other occasions, to enjoy the masquerade he knew himself taking part in. He realized, with a contemptuous irony, that he was playing the part of one who played many parts. The actor in him seemed, intellectually, merely a personified palimpsest; the mind was receptive, ready to echo all it heard, keen to reproduce traits and tricks of other characters. He held in himself, to be brief, a mirror that reflected whatever crossed its face; the base of that mirror itself was as characterless, as colorless, as the mere metal and glass. Superficialities were caught with a skill that was astonishing; little tricks of manner and speech were reproduced to the very dot upon the i; yet, under all the raiment of other men's merely material attributes, there was no change of soul at all; no transformation touched the little ego-screaming soul of the actor.