A malady--for it surely is no less than a malady--for attempting cutting
speeches at any time and place possessed Vane. Shortsightedness was
another quality now obvious in him. He knew you to-day, to-morrow he
looked at you with the most unseeing eyes. His voice was the most
prominent organ in whatever room or club he happened to be; when he
spoke none else could be intelligible. When he knew himself observed,
though alone, he hummed little snatches to himself. His gait took on a
mincing step. There was not a moment, not a pose of his that had not its
forethought, its deliberation, its premeditated effect.
The gradual increase in the publicity that was part of the penalty of
being in the smart world had made approachment between the stage and
society easier than ever before. Orson Vane's bias toward the theatre
did not displease the modish. Rumors as to this and that heroine of a
romantic divorce having theatric intentions became frequent. The gowns
of actresses were copied by the smart quite as much as the smart set's
gowns were copied by actresses. The intellectual factor had never been
very prominent in the social attitude toward the stage; it was now
frankly admitted that good-looking men and handsome dresses were as much
as one went to the theatre for. Theatrical people had a wonderful claim
upon the printer's ink of the continent; society was not averse to
borrowing as much of that claim as was possible. Compliments were
exchanged with amiable frequence; smart people married stage favorites,
and the stage looked to the smart for its recruits.
Orson Vane could not have shown his devotion to the mummeries of the
stage at a better time. He gained, rather than lost, prestige.
CHAPTER XVI.
It was the fashionable bathing hour at the most exclusive summer resort
on the Atlantic coast. The sand in front of the Surf Club was dotted
with gaudy tents and umbrellas. Persons whom not to know was to be
unknowable were picturesquely distributed about the club verandahs in
wicker chairs and lounges. The eye of an artist would have been
distracted by the beauties that were suggested in the half-lifted skirts
of this beauty, and revealed in the bathing-suit of that one. The little
waves that came politely rippling up the slope of sand seemed to know
what was expected of them; they were in nowise rude. They may have
longed to ruffle this or that bit of feminine frippery, but they
refrained. They may have ached to drown out Orson Vane's voice as he
said "good morning" to everybody in and out of the water; but they
permitted themselves no such luxury.
Public-domain text, read in full here on John Shaqi.
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