The Immortal Moment: The Story of Kitty Tailleur — John Shaqi
The Immortal Moment: The Story of Kitty TailleurSinclair, May
General
The Immortal Moment: The Story of Kitty Tailleur
Sinclair, May
Man-woman relationships -- Fiction
There was a clergyman dining gloomily at a table by himself. There was a
gray group of middle-aged ladies next to him. There was Colonel Hankin
and his wife. They had arrived with the Lucys in the hotel 'bus, and
their names were entered above Robert's in the visitors' book. They
marked him with manifest approval as one of themselves, and they looked
all pink perfection and silver white propriety. There was the old lady
who did nothing but knit. She had arrived in a fly, knitting. She was
knitting now, between the courses. When she caught sight of the Lucys
she smiled at them over her knitting. They had found her, before dinner,
with her feet entangled in a skein of worsted. Jane had shown tenderness
in disentangling her.
It was almost as if they had made friends already.
Jane's eyes roamed and lighted on a fat, wine-faced man. Lucy saw them.
He teased her, challenged her. She didn't think, did she, she could do
anything with him?
No. Jane thought not. He wasn't interesting. There was nothing that you
could take hold of, except that he seemed to be very fond of wine, poor
old thing. But then, you had to be fond of something, and perhaps it was
his only weakness. What did Robert think?
Robert did not hear her. He was bending forward, looking beyond her,
across the room toward the great doors. They had swung open again, with
a flash of their glass panels, to give passage to a lady.
She came slowly, with the irresistible motion of creatures that divide
and trouble the medium in which they move. The white, painted wainscot
behind her showed her small, eager head, its waving rolls and crowning
heights of hair, black as her gown. She had a sweet face, curiously
foreshortened by a low forehead and the briefest of chins. It was white
with the same whiteness as her neck, her shoulders, her arms--a
whiteness pure and profound. This face she kept thrust a little forward,
while her eyes looked round, steadily, deliberately, for the place where
she desired to be. She carried on her arm a long tippet of brown fur. It
slipped, and her effort to recover it brought her to a standstill.
The large, white room, half empty at this season, gave her up bodily to
what seemed to Lucy the intolerable impudence of the public gaze.
She was followed by an older lady who had the air of making her way with
difficulty and vexation through an unpleasantly crowded space. This lady
was somewhat oddly attired in a white dress cut high with a Puritan
intention, but otherwise indiscreetly youthful. She kept close to the
tail of her companion's gown, and tracked its charming evolutions with
an irritated eye. Her whole aspect was evidently a protest against the
publicity she was compelled to share.
[Illustration: "She stood there, strangely still ... before the pitiless
stare that went up to her appealing face."]
Public-domain text, read in full here on John Shaqi.
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