The Immortal; Or, One of the "Forty.": (L'immortel) - 1877 — John Shaqi
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
Dalzon the novelist, your favourite, was there; he has a kindly, open,
intellectual face, as you would expect from his books. But you would
have been sorry to see him cringing and sniggering before a nobody like
Brétigny, who has never done anything, but occupies in the Academic
the seat reserved for the man of the world, as in the country we keep
a place for the poor man in our Twelfth Night festivities. And not only
did he court Brétigny, but every Academician who came in. There he was,
listening to old Rehu’s stories, laughing at Danjou’s smallest jokes
with the ‘counterfeited glee’ with which at Louis-le-Grand we rewarded
what Védrine used to call ‘usher’s wit.’ All this to bring his twelve
votes of last year up to the required majority.
Old Jean Réhu looked in at his granddaughter’s for a few minutes,
wonderfully fresh and erect, well buttoned up in a long frock coat. He
has a little shrivelled face, looking as if it had been in the fire, and
a short cottony beard, like moss on an old stone. His eyes are bright
and his memory marvellous, but he is deaf, and this depresses him
and drives him into long soliloquies about his interesting personal
recollections, To-day he told us about the household of the Empress
Joséphine at Malmaison; his ‘compatriote,’ he calls her, both being
Creoles from Martinique. He described her, in her muslins and cashmere
shawls, smelling of musk so strongly as to take one’s breath away,
and surrounded with flowers from the colonies. Even in war time these
flowers, by the gallantry of the enemy, were allowed to pass the lines
of their fleet. He also talked of David’s studio, as it was under the
Consulate, and did us the painter, rating and scolding his pupils with
his mouth all awry and the remains of his dinner in his cheek. After
each extract from the long roll of his experience, the patriarch shakes
his head solemnly, gazes into space, and says in his firm tones, ‘That’s
a thing that I have seen.’ It is his signature, as it were, put at the
bottom of the picture to prove it genuine. I ought to say that, with the
exception of Dalzon, who pretended to be drinking in his words, I was
the only person in the room who attended to the old man’s tales. They
seemed to me much more worth hearing than the stories of a certain
Lavaux, a journalist, or librarian, or something--a dreadful retailer
of gossip, whatever else he may be. The moment he came in there was a
general cry, ‘Ah, here’s Lavaux!’ and a circle was formed round him at
once, all laughing and enjoying themselves. Even the frowning ‘deities’
revel in his anecdotes. He has a smooth-shaven, quasi-clerical face and
goggle eyes. He prefaces all his tales and witticisms with such remarks
as ‘I was saying to De Broglie,’ or ‘Dumas told me the other day,’ or ‘I
have it from the Duchess herself,’ backing himself up with the biggest
names and drawing his instances from all quarters. He is a pet of the
Public-domain text, read in full here on John Shaqi.
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