The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
‘There’s nothing in that,’ retorted Védrine with unqualified contempt.
In his view, the most interesting documents in hands of a fool had no
more meaning than has the great book of humanity itself, when consulted
by a stupid novelist. The gold all turns into dead leaves. ‘Look
here,’ he went on with rising animation, ‘a man is not to be called an
historian because he has expanded unpublished material into great octavo
volumes, which are shelved unread among the books of information, and
should be labelled, “For external application only. Shake the
bottle.” It is only French frivolity that attaches a serious value
to compilations like those. The English and Germans despise us.
“Ineptissimus vir Astier-Réhu,” says Mommsen somewhere or other in a
note.’
‘Yes, and it was you, you heartless fellow, who made the poor man read
out the note before the whole class.’
‘And a terrible jaw he gave me. It was nearly as bad as when one day I
got so tired of hearing him tell us that the will was a lever, a lever
with which you might lift anything anywhere, that I answered him from my
place in his own voice: “Could you fly with it, sir--could you fly with
it?”’
Freydet, laughing, abandoned his defence of the historian, and began to
plead for Astier-Réhu as a teacher. But Védrine went off again.
‘A teacher! What is he? A poor creature who has spent his life in
“weeding” hundreds of brains, or, in plain terms, destroying whatever
in them was original and natural, all the living germs which it is the
first duty of an educator to nourish and protect. To think how the
lot of us were hoed, and stubbed, and grubbed! One or two did not take
kindly to the process, but the old fellow went at it with his tools
and his nails, till he made us all as neat and as flat as a schoolroom
bench. And see the results of his workmanship! A few rebels, like
Herscher, who, from hatred of the conventional, go for exaggeration and
ugliness, or like myself, who, thanks to that old ass, love roughness
and contortion so much, that my sculpture, they say, is “like a bag of
walnuts.” And the rest of them levelled, scraped, and empty!’
‘And pray, what of me?’ said Freydet, with an affected despair.
‘Oh, as for you, Nature has preserved you so far; but look out for
yourself if you let Crocodilus clip you again. And to think that we have
public schools to provide us with this sort of pedagogue, and that we
reward him with endowments, and honours, and a place (save the mark) in
the National Institute!’
Stretched at his ease in the long grass, with his head on his arm and
waving a fern, which he used as a sun-screen, Védrine calmly uttered
these strong remarks, without the slightest play of feature in his broad
face, pale and puffy like that of an Indian idol. Only the tiny laughing
eyes broke the general expression of dreamy indolence.
Public-domain text, read in full here on John Shaqi.
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