The Immortal; Or, One of the "Forty.": (L'immortel) - 1877 — John Shaqi
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
Madame Astier was nearly breathless. Her small voice grew sharp and
shrill, like the cry of a sea-bird from the masthead. Meanwhile Paul,
amused at first, had begun to listen impatiently, with his thoughts
elsewhere. ‘I am off,’ said he abruptly. ‘I have a breakfast with some
business people--very important.’
‘An order?’
‘No, not architect’s business this time.’
She wanted him to satisfy her curiosity, but he went on, ‘Not now;
another time; it’s not settled.’ And finally, as he gave his mother a
little kiss, he whispered in her ear, ‘All the same, do not forget my
four hundred.’
But for this grown-up son, who was a secret cause of division, the
Astier-Réhu would have had a happy household, as the world, and in
particular the Academic world, measures household happiness. After
thirty years their mutual sentiments remained the same, kept beneath the
snow at the temperature of what gardeners call a ‘cold-bed.’ When, about
‘50, Professor Astier, after brilliant successes at the Institute, sued
for the hand of Mademoiselle Adelaide Réhu, who at that time lived
with her grandfather at the Palais Mazarin, it was not the delicate and
slender beauty of his betrothed, it was not the bloom of her ‘Aurora’
face, which were the real attractions for him. Neither was it her
fortune. For the parents of Mademoiselle Adelaide, who died suddenly
of cholera, had left her but little; and the grandfather, a Creole from
Martinique, an old beau of the time of the Directory, a gambler, a
free liver, great in practical jokes and in duels, declared loudly and
repeatedly that he should not add a penny to her slender portion.
No, that which enticed the scion of Sauvagnat, who was far more
ambitious than greedy, was the Académie. The two great courtyards which
he had to cross to bring his daily offering of flowers, and the long
solemn corridors into which at intervals there descended a dusty
staircase, were for him rather the path of glory than of love. The
Paulin Réhu of the Inscriptions et Belles-Lettres, the Jean Réhu of
the ‘Letters to Urania,’ the Institute complete with its lions and its
cupola--this was the Mecca of his pilgrimage, and all this it was that
he took to wife on his wedding day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account