The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
No, she had seen nothing but the Duchess’s box, where some one had just
come in, with a youthful elegant figure, like her Paul. But it was the
little Count Adriani, who had heard of the rupture like the rest of
Paris and was already tracking the game. Through the rest of the
play the mother ate her heart out in misery, turning over innumerable
confused plans for the future, mixed in her thoughts with past events
and scenes which ought to have forewarned her. Stupid, how stupid of
her! How had she failed to guess?
At last came the departure, but oh how long it took! She had to stop
every moment, to bow or smile to her friends, to say good-bye. ‘What are
you going to do this summer? Do come and see us at Deauville.’ All down
the narrow passage crammed with people, where ladies finish putting on
their wraps with a pretty movement to make sure of their ear-rings, all
down the white marble staircase to the men-servants waiting at the foot,
the mother, as she talks, still watches, listens, tries to catch in the
hum of the great fashionable swarm dispersing for some months a word or
hint of a scene that evening in a box. Here comes the Duchess, haughty
and erect in her long white and gold mantle, taking the arm of the young
officer of the Papal Guard. She knows the shabby trick her friend
has played her, and as the two women pass they exchange a cold
expressionless glance more to be dreaded than the most violent expletive
of a fishwoman. They know now what to think of each other; they know
that in the poisoned warfare, which is to succeed their sisterly
intimacy, every blow will tell, will be directed to the right spot by
practised hands. But they discharge the task imposed by society, and
both wear the same mask of indifference, so that the masterful hate
of the one can meet and strike against the spiteful hate of the other
without producing a spark.
Downstairs, in the press of valets and young clubmen, Léonard Astier was
waiting, as he had promised, for his wife. ‘Ah, there is the great man!’
exclaimed Madame Ancelin; and with a final dip of her fingers into
the holy water she scattered it around her broadcast, over the great
Astier-Réhu, the great Danjou, and Coquelin, you know! and Delaunay, you
know! Oh! Oh! Oh!--Astier did not reply, but followed with his wife on
his arm and his collar turned up against the draught. It was raining.
Madame Ancelin offered to take them home; but it was only with the
conventional politeness of a ‘carriage’ lady afraid of tiring her horses
and still more afraid of her coachman’s temper (she has invariably the
best coachman in Paris). Besides, ‘the great man’ had a cab; and without
waiting for the lady’s benediction--‘Ah, well, we know you two like to
be alone. Ah! what a happy household!’--he dragged off Madame Astier
along the wet and dirty colonnade.
Public-domain text, read in full here on John Shaqi.
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