The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
When, at the end of a ball or evening party, a fashionable couple drive
off in their carriage, the question always suggests itself, ‘Now what
will they say?’ Not much usually, for the man generally comes away from
this kind of festivity weary and knocked up, while the lady continues
the party in the darkness of the carriage by inward comparisons of her
dress and her looks with those she has just seen, and makes plans
for the arrangement of her drawing-room or a new costume. Still
the restraint of feature required by society is so excessive, and
fashionable hypocrisy has reached such a height, that it would be
interesting to be present at the moment when the conventional attitude
is relaxed, to hear the real natural tone of voice, and to realise the
actual relations of the beings thus suddenly released from trammels and
sent rolling home in the light of their brougham lamps through the empty
streets of Paris. In the case of the Astiers the return home was very
characteristic. The moment they were alone the wife laid aside the
deference and pretended interest exhibited towards the Master in
society, and spoke her mind, compensating herself in so doing for the
attention with which she had listened for the hundredth time to old
stories which bored her to death. The husband, kindly by disposition and
accustomed to think well of himself and everyone else, invariably came
home in a state of bliss, and was horrified at the malicious comments of
his wife on their hosts and the guests they had met. Madame Astier would
utter calmly the most shocking accusations, exaggerating gossip in
the light unconscious way which is characteristic of Parisian society.
Rather than stimulate her he would hold his tongue and turn round in
his corner to take a little doze. But on this evening Léonard sat down
straight, regardless of the sharp ‘Do mind my dress!’ which showed that
somebody’s skirts were being crumpled. What did he care about her dress?
‘I’ve been robbed!’ he said, in such a tone that the windows rattled.
Oh dear, the autographs! She had not been thinking of them, least of
all just now, when tormented by very different anxieties, and there was
nothing feigned in her surprise.
Robbed--yes, robbed of his ‘Charles-the-Fifths,’ the three best things
in his collection! But the assurance which made his attack so violent
died out of his voice, and his suspicion hesitated, at the sight of
Adelaide’s surprise. Meanwhile she recovered her self-possession.
‘But whom do you suspect?’ Corentine, she thought, was trustworthy.
Teyssèdre? It was hardly likely that an ignorant----
Public-domain text, read in full here on John Shaqi.
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