The Impending Sword: A Novel (Vol. 3 of 3)Yates, Edmund
General
The Impending Sword: A Novel (Vol. 3 of 3)
Yates, Edmund
Fiction
This short dialogue took place in Helen's boudoir, whither Mrs.
Jenkins had gone to seek her sister after she had ushered Helen's
ominous visitors into her husband's library, where she was awaiting
them. Miss Montressor had by this time awakened from her nap, greatly
refreshed and reinvigorated, and was looking very dainty and
captivating; she had arranged her hair by the aid of a pocket-comb and
a pocket-mirror which invariably accompanied her, together with a
cunningly-devised little casket containing pearl-powder, to the use of
which, to say the truth, she was too much addicted off the stage; and
she was now perfectly prepared to undergo a whole set of new
sensations with regard to the Griswold murder, for in that familiar
phrase had the at-first-vague calamity ranged itself in the minds of
Miss Montressor and Bryan Duval.
The interview between Helen Griswold, her two friends, and the police
officers lasted so long, that the grievous apprehension possessed Mrs.
Jenkins as to the effect which such sustained interrogation, with all
its horrors of assumption and actual pain, must produce on Helen's
enfeebled frame. To the acute and experienced eye of Mrs. Jenkins, who
had done a great deal in the way of nursing invalids in her time, and
who had that quick perception of illness natural to woman, however
uneducated, Helen's health had suffered much more severely under the
excruciating trial of the last three days than Thornton Carey or Bryan
Duval believed. In her very composure Mrs. Jenkins saw partly an
unnatural effort and partly physical exhaustion; she did not cry, or
scream, or throw herself about, or give way to any violent
demonstration of the suffering which was racking her, quite as much
because she was unable to do so, as because her good sense and her
resolution induced her to give as little trouble and inflict as little
distress upon the friends who were nobly endeavouring to aid her as
possible; but they perceived only one of these reasons for her
quietude.
In voice, that most distinctive symptom, as well as in face, Helen
Griswold was changed; something was gone from both destined never to
return to them: the sweet clear _timbre_ in the former, the roundlike
brightness in the latter. In after years Helen was a handsomer woman
than she had been in those days of honoured and happy matronhood, in
her splendid home with the husband who was so devoted to her; but the
beauty of these latter years was of a different cast from that in
which he had taken such delight and it indicated a mind matured and a
heart strengthened, both results reached by a process of untold
severity.
Public-domain text, read in full here on John Shaqi.
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