The Importance of Being Earnest: A Trivial Comedy for Serious PeopleWilde, Oscar
Science
The Importance of Being Earnest: A Trivial Comedy for Serious People
Wilde, Oscar
Comedy plays; England -- Drama; Foundlings -- Drama; Identity (Psychology) -- Drama
CECILY.
Dear Uncle Jack is so very serious! Sometimes he is so serious that I
think he cannot be quite well.
MISS PRISM.
[Drawing herself up.] Your guardian enjoys the best of health, and his
gravity of demeanour is especially to be commended in one so
comparatively young as he is. I know no one who has a higher sense of
duty and responsibility.
CECILY.
I suppose that is why he often looks a little bored when we three are
together.
MISS PRISM.
Cecily! I am surprised at you. Mr. Worthing has many troubles in his
life. Idle merriment and triviality would be out of place in his
conversation. You must remember his constant anxiety about that
unfortunate young man his brother.
CECILY.
I wish Uncle Jack would allow that unfortunate young man, his brother,
to come down here sometimes. We might have a good influence over him,
Miss Prism. I am sure you certainly would. You know German, and
geology, and things of that kind influence a man very much. [Cecily
begins to write in her diary.]
MISS PRISM.
[Shaking her head.] I do not think that even I could produce any effect
on a character that according to his own brother’s admission is
irretrievably weak and vacillating. Indeed I am not sure that I would
desire to reclaim him. I am not in favour of this modern mania for
turning bad people into good people at a moment’s notice. As a man sows
so let him reap. You must put away your diary, Cecily. I really don’t
see why you should keep a diary at all.
CECILY.
I keep a diary in order to enter the wonderful secrets of my life. If I
didn’t write them down, I should probably forget all about them.
MISS PRISM.
Memory, my dear Cecily, is the diary that we all carry about with us.
CECILY.
Yes, but it usually chronicles the things that have never happened, and
couldn’t possibly have happened. I believe that Memory is responsible
for nearly all the three-volume novels that Mudie sends us.
MISS PRISM.
Do not speak slightingly of the three-volume novel, Cecily. I wrote one
myself in earlier days.
CECILY.
Did you really, Miss Prism? How wonderfully clever you are! I hope it
did not end happily? I don’t like novels that end happily. They depress
me so much.
MISS PRISM.
The good ended happily, and the bad unhappily. That is what Fiction
means.
CECILY.
I suppose so. But it seems very unfair. And was your novel ever
published?
MISS PRISM.
Alas! no. The manuscript unfortunately was abandoned. [Cecily starts.]
I use the word in the sense of lost or mislaid. To your work, child,
these speculations are profitless.
CECILY.
[Smiling.] But I see dear Dr. Chasuble coming up through the garden.
MISS PRISM.
[Rising and advancing.] Dr. Chasuble! This is indeed a pleasure.
[Enter Canon Chasuble.]
CHASUBLE.
And how are we this morning? Miss Prism, you are, I trust, well?
CECILY.
Miss Prism has just been complaining of a slight headache. I think it
would do her so much good to have a short stroll with you in the Park,
Dr. Chasuble.
Public-domain text, read in full here on John Shaqi.
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