The Importance of Being Earnest: A Trivial Comedy for Serious People — John Shaqi
The Importance of Being Earnest: A Trivial Comedy for Serious PeopleWilde, Oscar
Science
The Importance of Being Earnest: A Trivial Comedy for Serious People
Wilde, Oscar
Comedy plays; England -- Drama; Foundlings -- Drama; Identity (Psychology) -- Drama
ALGERNON.
Lane’s views on marriage seem somewhat lax. Really, if the lower orders
don’t set us a good example, what on earth is the use of them? They
seem, as a class, to have absolutely no sense of moral responsibility.
[Enter Lane.]
LANE.
Mr. Ernest Worthing.
[Enter Jack.]
[Lane goes out_._]
ALGERNON.
How are you, my dear Ernest? What brings you up to town?
JACK.
Oh, pleasure, pleasure! What else should bring one anywhere? Eating as
usual, I see, Algy!
ALGERNON.
[Stiffly_._] I believe it is customary in good society to take some
slight refreshment at five o’clock. Where have you been since last
Thursday?
JACK.
[Sitting down on the sofa.] In the country.
ALGERNON.
What on earth do you do there?
JACK.
[Pulling off his gloves_._] When one is in town one amuses oneself.
When one is in the country one amuses other people. It is excessively
boring.
ALGERNON.
And who are the people you amuse?
JACK.
[Airily_._] Oh, neighbours, neighbours.
ALGERNON.
Got nice neighbours in your part of Shropshire?
JACK.
Perfectly horrid! Never speak to one of them.
ALGERNON.
How immensely you must amuse them! [Goes over and takes sandwich.] By
the way, Shropshire is your county, is it not?
JACK.
Eh? Shropshire? Yes, of course. Hallo! Why all these cups? Why cucumber
sandwiches? Why such reckless extravagance in one so young? Who is
coming to tea?
ALGERNON.
Oh! merely Aunt Augusta and Gwendolen.
JACK.
How perfectly delightful!
ALGERNON.
Yes, that is all very well; but I am afraid Aunt Augusta won’t quite
approve of your being here.
JACK.
May I ask why?
ALGERNON.
My dear fellow, the way you flirt with Gwendolen is perfectly
disgraceful. It is almost as bad as the way Gwendolen flirts with you.
JACK.
I am in love with Gwendolen. I have come up to town expressly to
propose to her.
ALGERNON.
I thought you had come up for pleasure? . . . I call that business.
JACK.
How utterly unromantic you are!
ALGERNON.
I really don’t see anything romantic in proposing. It is very romantic
to be in love. But there is nothing romantic about a definite proposal.
Why, one may be accepted. One usually is, I believe. Then the
excitement is all over. The very essence of romance is uncertainty. If
ever I get married, I’ll certainly try to forget the fact.
JACK.
I have no doubt about that, dear Algy. The Divorce Court was specially
invented for people whose memories are so curiously constituted.
ALGERNON.
Oh! there is no use speculating on that subject. Divorces are made in
Heaven—[Jack puts out his hand to take a sandwich. Algernon at once
interferes.] Please don’t touch the cucumber sandwiches. They are
ordered specially for Aunt Augusta. [Takes one and eats it.]
JACK.
Well, you have been eating them all the time.
ALGERNON.
That is quite a different matter. She is my aunt. [Takes plate from
below.] Have some bread and butter. The bread and butter is for
Gwendolen. Gwendolen is devoted to bread and butter.
Public-domain text, read in full here on John Shaqi.
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