The Importance of Being Earnest: A Trivial Comedy for Serious PeopleWilde, Oscar
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The Importance of Being Earnest: A Trivial Comedy for Serious People
Wilde, Oscar
Comedy plays; England -- Drama; Foundlings -- Drama; Identity (Psychology) -- Drama
ALGERNON.
I think it has been a great success. I’m in love with Cecily, and that
is everything.
[Enter Cecily at the back of the garden. She picks up the can and
begins to water the flowers.] But I must see her before I go, and make
arrangements for another Bunbury. Ah, there she is.
CECILY.
Oh, I merely came back to water the roses. I thought you were with
Uncle Jack.
ALGERNON.
He’s gone to order the dog-cart for me.
CECILY.
Oh, is he going to take you for a nice drive?
ALGERNON.
He’s going to send me away.
CECILY.
Then have we got to part?
ALGERNON.
I am afraid so. It’s a very painful parting.
CECILY.
It is always painful to part from people whom one has known for a very
brief space of time. The absence of old friends one can endure with
equanimity. But even a momentary separation from anyone to whom one has
just been introduced is almost unbearable.
ALGERNON.
Thank you.
[Enter Merriman.]
MERRIMAN.
The dog-cart is at the door, sir. [Algernon looks appealingly at
Cecily.]
CECILY.
It can wait, Merriman for . . . five minutes.
MERRIMAN.
Yes, Miss. [Exit Merriman.]
ALGERNON.
I hope, Cecily, I shall not offend you if I state quite frankly and
openly that you seem to me to be in every way the visible
personification of absolute perfection.
CECILY.
I think your frankness does you great credit, Ernest. If you will allow
me, I will copy your remarks into my diary. [Goes over to table and
begins writing in diary.]
ALGERNON.
Do you really keep a diary? I’d give anything to look at it. May I?
CECILY.
Oh no. [Puts her hand over it.] You see, it is simply a very young
girl’s record of her own thoughts and impressions, and consequently
meant for publication. When it appears in volume form I hope you will
order a copy. But pray, Ernest, don’t stop. I delight in taking down
from dictation. I have reached ‘absolute perfection’. You can go on. I
am quite ready for more.
ALGERNON.
[Somewhat taken aback.] Ahem! Ahem!
CECILY.
Oh, don’t cough, Ernest. When one is dictating one should speak
fluently and not cough. Besides, I don’t know how to spell a cough.
[Writes as Algernon speaks.]
ALGERNON.
[Speaking very rapidly.] Cecily, ever since I first looked upon your
wonderful and incomparable beauty, I have dared to love you wildly,
passionately, devotedly, hopelessly.
CECILY.
I don’t think that you should tell me that you love me wildly,
passionately, devotedly, hopelessly. Hopelessly doesn’t seem to make
much sense, does it?
ALGERNON.
Cecily!
[Enter Merriman.]
MERRIMAN.
The dog-cart is waiting, sir.
ALGERNON.
Tell it to come round next week, at the same hour.
MERRIMAN.
[Looks at Cecily, who makes no sign.] Yes, sir.
[Merriman retires.]
CECILY.
Uncle Jack would be very much annoyed if he knew you were staying on
till next week, at the same hour.
ALGERNON.
Oh, I don’t care about Jack. I don’t care for anybody in the whole
world but you. I love you, Cecily. You will marry me, won’t you?
Public-domain text, read in full here on John Shaqi.
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