The Imported Bridegroom, and Other Stories of the New York Ghetto — John Shaqi
The Imported Bridegroom, and Other Stories of the New York GhettoCahan, Abraham
General
The Imported Bridegroom, and Other Stories of the New York Ghetto
Cahan, Abraham
Jews -- New York (State) -- New York -- Fiction; United States -- Emigration and immigration -- Fiction
The headstones, mostly of humble size and weatherworn, were a solemn
minority in a forest of plain wooden monuments, from which hung, for
identification, all sorts of unceremonious tokens, such as old tin
cans, bottomless pots, cast-off hats, shoes, and what not. But all
this, far from marring the impressiveness of the place, accentuated
and heightened the inarticulate tragedy of its aspect. The discarded
utensils or wearing apparel seemed to be brooding upon the days of
their own prime, when they had participated in the activities of the
living town yonder. They had an effect of mysterious muteness, as of
erstwhile animated beings,--comrades of the inmates of the overgrown
little mounds underneath, come to join them in the eternal rest of the
city of death.
"Father! Father!" Asriel began, in a loud synagogue intonation, as he
prostrated himself upon an old grave, immediately after the cantor had
concluded his prayer and withdrawn from his side. "It is I, Asriel,
your son--do you remember? I have come all the way from America to ask
you to pray for me and my child. She is a good girl, father, and I am
trying to lead her on the path of righteousness. She is about to marry
the greatest scholar of God's Law hereabouts. Do pray that the boy may
find favor in her eyes, father! You know, father dear, that I am only
a boor, and woe is me! I am stuffed full of sins. But now I am trying
to make up and to be a good Jew. Will you pray the Uppermost to accept
my penance?" he besought, with growing pathos in his voice. "You are
near Him, father, so do take pity upon your son and see to it that his
sins are forgiven. Will you pray for me? Will you? But, anyhow, I
care more for Flora--Bloome, her Yiddish name is. What am I? A rusty
lump of nothing. But Flora--she is a flower. Do stand forth before the
High Tribunal and pray that no ill wind blow her away from me, that no
evil eye injure my treasure. She lost her mother when she was a baby,
poor child, and she is the only consolation I have in the world. But
you are her grandfather--do pray for her!"
Asriel's face shone, his heavy voice rang in a dismal, rapturous,
devotional sing-song. His eyes were dry, but his soul was full of
tears and poetry, and he poured it forth in passionate, heart-breaking
cadences.
"What is the difference between this grass blade and myself?" he
asked, a little after. "Why should you give yourself airs, Asriel?
Don't kick, be good, be pious, carry God in your heart, and make no
fuss! Be as quiet as this grass, for hark! the hearse is coming after
you, the contribution boxes are jingling, the Angel of Death stands
ready with his knife--Oh, do pray for your son, father!" he shrieked,
in terror.
He paused. A bee, droning near by, seemed to be praying like himself,
and its company stirred Asriel's heart.
"Oh, father! I have not seen you for thirty-five years. Thirty-five
years!" he repeated in deliberate tones and listening to his own
voice.
Public-domain text, read in full here on John Shaqi.
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