The shop was one of a suite of three rooms on the third floor of a rickety old tenement house on Essex Street, and did the additional duty of the family's kitchen and dining-room. It faced a dingy little courtyard, and was connected by a windowless bedroom with the parlor, which commanded the very heart of the Jewish markets. Bundles of cloth, cut to be made into coats, littered the floor, lay in chaotic piles by one of the walls, cumbered Mrs. Lipman's kitchen table and one or two chairs, and formed, in a corner, an improvised bed upon which a dirty two-year-old boy, Leizer's heir apparent, was enjoying his siesta. Dangling against the door or scattered among the bundles, there were cooking utensils, dirty linen, Lipman's velvet skull-cap, hats, shoes, shears, cotton-spools, and whatnot. A red-hot kitchen stove and a blazing grate full of glowing flat-irons combined to keep up the overpowering temperature of the room, and helped to justify its nickname of sweat-shop in the literal sense of the epithet. Work was rather scarce, but the designer of the Broadway clothing firm, of whose army of contractors Lipman was a member, was a second cousin to the latter's wife, and he saw to it that his relative's husband was kept busy. And so operations in Leizer's shop were in full swing. Heyman, the operator, with his bared brawny arms, pushed away at an unfinished coat, over which his head, presenting to view a wealth of curly brown hair, hung like an eagle bent on his prey. He swayed in unison to the rhythmic whirr of his machine, whose music, supported by the energetic thumps of Meyer's press-iron, formed an orchestral accompaniment to the sonorous and plaintive strains of a vocal duet performed by Beile, the finisher girl, and David, the baster. Leizer was gone to the Broadway firm's offices, while Zlate, his wife, was out on a prolonged haggling expedition among the tradeswomen of Hester Street. This circumstance gave the hands a respite from the restrictions usually placed on their liberties by the presence of the "boss" and the "Missis," and they freely beguiled the tedium and fatigue of their work, now by singing, now by a bantering match at the expense of their employer and his wife, or of each other. "Well, I suppose you might as well quit," said Meyer, a chubby, red-haired, freckled fellow of forty, emphasizing his remark by an angry stroke of his iron. "You have been over that song now fifty times without taking breath. You make me tired." "Don't you like it? Stuff up your ears, then," Beile retorted, without lifting her head from the coat in her lap. "Why, I do like it, first-rate and a half," Meyer returned, "but when you keep your mouth shut I like it better still, see?"