The Impudent Comedian, & OthersMoore, Frank Frankfort
History
The Impudent Comedian, & Others
Moore, Frank Frankfort
Celebrities -- Fiction; Great Britain -- History -- 18th century -- Fiction; Historical fiction; Short stories
She was sitting in a gracefully majestic attitude by the side of a small
table on which a desk was placed. Mrs. Siddons never unbent for a moment
in private life.
She assumed majestic attitudes in the presence of the lodging-house
servant, and spoke in a tragic contralto to the linen-draper's
apprentice. She turned her lovely eyes upon Dionysius Hogan as he stood
smirking and bowing at the door. There was a vista of tragedy in the
delivery of the two words--
“Well, sir?”
It took him some moments to recover from the effect the words produced
upon him. He cleared his throat--it was somewhat husky--and with an
artificial smirk he piped out:
“Madam--ah, my charmer, I have rushed to clasp my goddess to my bosom!
Ah, fair creature, who could resist your appeal?”
He advanced in the mincing gait of the Macaronis. She sprang to her
feet. She pointed an eloquent forefinger at a spot on the floor directly
in front of him.
“Wretch,” she cried, “advance a step at your peril!” Her eyes were
flashing, and her lips were apart.
His mincing ceased abruptly; and only the ghost of a smirk remained upon
his patched and painted face. It was in a very fluty falsetto that he
said:
“Ah, I see my charmer wants to be wooed. But why should Amanda reproach
her Strephon for but obeying her behests? Wherefore so coy, dear nymph?
Let these loving arms--”
“Madman--wretch--”
“Nay, chide me not, dear one. 'T is but the ardour of my passion that
bids me clasp thee, the fairest of Hebe's train. We shall fly together
to some retreat--far from the distractions--”
“Oh, the man is mad--mad!” cried the lady, retreating a step or two as
he advanced.
“Only mad with the ardour of my passion,” whispered Dionysius.
“Oh, heaven! that I should live to hear such words spoken in my
presence!” cried Mrs. Siddons, with her hands clasped in passionate
appeal to a smiling portrait of the landlady's husband that hung over
the fireplace. Then she turned upon Dionysius and looked at him.
Her eyes blazed. Their fire consumed the unfortunate man on whom they
rested. He felt himself shrivelled up and become crisp as an autumn
leaf. He certainly trembled like one, as a terrible voice, but no louder
than a whisper, sounded in his ears: “Are you a human being or the
monster of a dream, that you dare to speak such words in my hearing?
What wretch are you that fancies that Sarah Siddons may be addressed
by such as you, and in language that is an insult to a pure wife and
mother. I am Sarah Siddons, sir! I am a wife who holds her husband's
honour dearer than life itself--I am a mother who will never cause a
blush of shame to mantle the brow of one of her children. Wretch,
insulter, why are mine eyes not basilisks, with death in their glance
to such as you?”
Down went Dionysius on his knees before that terrible figure that
stretched out wild quivering hands above his head. Such gestures as hers
would have fitted the stage of Drury Lane.
In the lodging-house parlour they were overwhelming.
Public-domain text, read in full here on John Shaqi.
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