The Incarnate Purpose: Essays on the Spiritual Unity of Life — John Shaqi
The Incarnate Purpose: Essays on the Spiritual Unity of LifePercival, G. H.
Religion
The Incarnate Purpose: Essays on the Spiritual Unity of Life
Percival, G. H.
Christianity; Spiritual life
But while, comparatively speaking, few men
set out to preach and teach some special gospel
for the purpose of urging it upon their brethren,
every man offers in his own person evidence
of character which may become an educational
factor in the lives of his fellow-men. We
know and esteem a man by his works, which[32]
are the expression of his convictions and the
fruit of his being. Without the evidence of
virtue in the lives of those who profess to
possess it, we are not justified in believing in
its reality.
The artistic power of producing and recognising
evidential testimony of supposed truths
is part of the divine birthright of all men.
The supreme Artist of Life, God, through
whose works of art men may perceive the
Spirit of Life, through whose creative energy
the gospel of Infinite Truth is continuously
made manifest, has given to man his body as
a temple of truth, whereby the light of the
spirit may shine out in evidence of its being.
Made in the likeness of God, the handiwork of
the Divine Artist, he manifests the glory of his
Creator in his own human works of art—his
creative powers witnessing to the essential
divinity of his being. His senses give him
evidence of his physical environment, and his
reason, as the summary of sense, rightly seeks
for verification of all that is announced to[33]
him as fact. But his senses cannot give him
adequate evidence of his psychical environment,
because its mere apprehension entails a transcending
of the spirit over the medium of the
flesh, thereby carrying vision beyond the point
where verification of what is seen is possible,
and where, attempting its expression, the vision
becomes a shrunken incoherent thing, utterly
inadequate as a likeness of what it is supposed
to represent.
The poet, the seer, the musician, the
sculptor know something of this inability to
reach in their work expression worthy of its
conception. And if this is so with the artist,
how much more so with the genius, who is
compelled by a force he does not wholly
understand, and yet is possessed of some
executive power of demonstration!
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