Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
In the Rector's study the labourer was speaking, standing shufflingly
on the margin of the Turkey carpet. The Rector listened, his hand on
an open folio where fat infants peered through the ornamental
initials.
"And so I come straight up to you, Sir, me being a father and you the
same, Sir, for all the difference betwixt our ways in life. Says I to
myself, says I, and bitter hard I feels it too, I says: 'George,' says
I, 'you've got a daughter as begun that way, not a doubt of
it--holdin' of hands and sittin' close alongside, and you know what's
come to her!'"
The Rector shivered at the implication.
"Then I says, says I: 'Like as not the Rector won't thank you for
interferin'. Least said soonest mended,' says I."
"I'm very much obliged to you," said the Rector difficultly, and his
hand shook on Ambrosius's yellow page.
"You see, Sir," the man's tone held all that deferent apology that
truth telling demands, "gells is gells, be they never so up in the
world, all the world over, bless their hearts; and young men is young
men, d--n them, asking your pardon, Sir, I'm sure, but the word
slipped out. And I shouldn't ha' been easy if anything had have gone
wrong with Miss, God bless her, all along of the want of a word in
season. Asking your pardon, Sir, but even young ladies is flesh and
blood, when it comes to the point. Ain't they now?" he ended
appealingly.
The Rector spoke with an obvious effort, got his hand off the page and
closed the folio.
"You've done quite right, George," he said, "and I'm greatly obliged
to you. Only I do ask you to keep this to yourself. You wouldn't have
liked it if people had heard a thing like that about your Ruby
before--I mean when she was at home."
He replaced the two folios on the shelf.
"Not me, Sir," George answered. "I'm mum, I do assure you, Sir. And if
I might make so bold, you just pop on your hat and step acrost
directly minute. There's that little hole back of the shed what I told
you of. You ain't only got to pop your reverend eye to that there, and
you'll see for yourself as I ain't give tongue for no dragged scent."
"Thank you, George," said the Rector, "I will. Good morning. God bless
you."
The formula came glibly, but it was from the lips only that it came.
Lizzie--his white innocent Lily-girl! In a shed--a man, a stranger,
holding her hand, his arm around her, his eyes--his lips perhaps,
daring--
The Rector was half way down his garden drive.
"Your heart-line," Vernon was saying, "it's a little difficult. You
will be deeply beloved."
To have one's fortune told is disquieting. To keep silence during the
telling deepens the disquiet curiously. It seemed good to Betty to
laugh.
"Soldier, sailor, tinker, tailor," she said, "which am I going to
marry, kind gipsy?"
Public-domain text, read in full here on John Shaqi.
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