Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
However effective it may be to turn the other cheek, the turning of it
does not cool one's passions, and he walked through the wood angrier
than he ever remembered being. But the cool rain dripping from the
hazel and sweet chestnut leaves fell pleasantly on his uncovered head
and flushed face. Before he was through the wood he was able to laugh,
and the laugh was a real laugh, if rather a rueful one. Vernon could
never keep angry very long.
"Poor old devil!" he said. "He'll have to put a special clause in the
general confession next Sunday. Poor old devil! And poor little Betty!
And poorest me! Because, however, we look at it, and however we may
have damn well bluffed over it, the game _is_ up--absolutely up."
When one has a definite end in view--marriage, let us say, or an
elopement,--secret correspondences, the surmounting of garden walls,
the bribery of servants, are in the picture. But in a small sweet
idyll, with no backbone of intention to it, these things are
inartistic. And Vernon was, above and before all, an artist. He must
go away and he knew it. And his picture was not finished. Could he
possibly leave that incomplete? The thought pricked sharply. He had
not made much progress with the picture in these last days. It had
been pleasanter to work at the portrait of Betty. If he moved to the
next village? Yes, that must be thought over.
He spent the day thinking of that and of other things.
The Reverend Cecil Underwood stood where he was left till the man he
had struck had passed out of sight. Then the cane slipped through his
hand and fell rattling to the ground. He looked down at it curiously.
Then he reached out both hands vaguely and touched the shaft of the
plough. He felt his way along it, and sat down, where they had sat,
staring dully before him at the shadows in the shed, and at the steady
fall of the rain outside. Betty's mackintosh was lying on the floor.
He picked it up presently and smoothed out the creases. Then he
watched the rain again.
An hour had passed before he got stiffly up and went home, with her
cloak on his arm.
Yes, Miss Lizzie was in her room--had a headache. He sent up her
breakfast, arranging the food himself, and calling back the maid
because the tray lacked marmalade.
Then he poured out his own tea, and sat stirring it till it was cold.
She was in her room, waiting for him to send for her. He must send for
her. He must speak to her. But what could he say? What was there to
say that would not be a cruelty? What was there to ask that would not
be a challenge to her to lie, as the serpent had lied?
"I am glad I struck him," the Reverend Cecil told himself again and
again; "_that_ brought it home to him. He was quite cowed. He could do
nothing but bow and cringe away. Yes, I am glad."
But the girl? The serpent had asked him to be gentle with her--had
dared to ask him. He could think of no way gentle enough for dealing
with this crisis. The habit of prayer caught him. He prayed for
guidance.
Public-domain text, read in full here on John Shaqi.
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