Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
At the last moment she hesitated. Mr. Vernon would not be idle. What
would he be doing? Suppose he should send a note? Suppose he had
watched Mr. Underwood drive away and should come boldly up and ask for
her? Was it wise to leave the house? But perhaps he would be hanging
about the church yard, or watching from the park for a glimpse of her.
She would at least go out and see.
"I'll leave a farewell letter," she said, "in case I never come back."
She found her little blotting-book--envelopes, but no paper. Of
course! One can't with dignity write cutting farewells on envelopes.
She tore a page from her diary.
"You have driven me to this," she wrote. "I am going away, and in time
I shall try to forgive you all the petty meannesses and cruelties of
all these years. I know you always hated me, but you might have had
some pity. All my life I shall bear the marks on my soul of the bitter
tyranny I have endured here. Now I am going away out into the world,
and God knows what will become of me."
She folded, enveloped, and addressed the note, stuck a long hat-pin
fiercely through it, and left it, patent, speared to her pin-cushion,
with her step-father's name uppermost.
"Good-bye, little room," she said. "I feel I shall never see you
again."
Slowly and sadly she crossed the room and turned the handle of the
door. The door was locked.
Once, years ago, a happier man than the Reverend Cecil had been Rector
of Long Barton. And in the room that now was Betty's he had had iron
bars fixed to the two windows, because that room was the nursery.
* * * * *
That evening, after dinner, Mr. Vernon sat at his parlour window
looking idly along the wet bowling-green to the belt of lilacs and the
pale gleams of watery sunset behind them. He had passed a disquieting
day. He hated to leave things unfinished. And now the idyll was ruined
and the picture threatened,--and Betty's portrait was not finished,
and never would be.
"Come in," he said; and his landlady heavily followed up her tap on
his door.
"A lady to see you, Sir," said she with a look that seemed to him to
be almost a wink.
"A lady? To see me? Good Lord!" said Vernon. Among all the thoughts of
the day this was the one thought that had not come to him.
"Shall I show her in?" the woman asked, and she eyed him curiously.
"A lady," he repeated. "Did she give her name?"
"Yes, Sir. Miss Desmond, Sir. Shall I shew her in?"
"Yes; shew her in, of course," he answered irritably.
And to himself he said:
"The Devil!"
CHAPTER VI.
THE CRIMINAL.
If you have found yourself, at the age of eighteen, a prisoner in your
own bedroom you will be able to feel with Betty. Not otherwise. Even
your highly strung imagination will be impotent to present to you the
ecstasy of rage, terror, resentment that fills the soul when locked
door and barred windows say, quite quietly, but beyond appeal: "Here
you are, and here, my good child, you stay."
Public-domain text, read in full here on John Shaqi.
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