Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
Vernon always prided himself on having a heart for any fate, but this
was one of the interviews that one would rather have avoided. All day
he had schooled himself to resignation, had almost reconciled himself
to the spoiling of what had promised to be a masterpiece. Explications
with Betty would brush the bloom off everything. Yet he must play the
part well. But what part? Oh, hang all meddlers!
"Miss Desmond," said the landlady; and he braced his nerves to meet a
tearful, an indignant or a desperate Betty.
But there was no Betty to be met; no Betty of any kind.
Instead, a short squarely-built middle-aged lady walked briskly into
the room, and turned to see the door well closed before she advanced
towards him.
He bowed with indescribable emotions.
"Mr. Eustace Vernon?" said the lady. She wore a sensible short skirt
and square-toed brown boots. Her hat was boat-shaped and her abundant
hair was screwed up so as to be well out of her way. Her face was
square and sensible like her shoulders, and her boots. Her eyes dark,
clear and near sighted. She wore gold-rimmed spectacles and carried a
crutch-handled cane. No vision could have been less like Betty.
Vernon bowed, and moved a chair towards her.
"Thank you," she said, and took it. "Now, Mr. Vernon, sit down too,
and let's talk this over like reasonable beings. You may smoke if you
like. It clears the brain."
Vernon sat down and mechanically took out a cigarette, but he held it
unlighted.
"Now," said the square lady, leaning her elbows on the table and her
chin on her hands, "I am Betty's aunt."
"It is very good of you to come," said Vernon helplessly.
"Not at all," she briskly answered. "Now tell me all about it."
"There's nothing to tell," said Vernon.
"Perhaps it will clear the ground a little if I say at once that I
haven't come to ask your intentions, because of course you haven't
any. My reverend brother-in-law, on the other hand, insists that you
have, and that they are strictly dishonourable."
Vernon laughed, and drew a breath of relief.
"I fear Mr. Underwood misunderstood,--" he said, "and--"
"He is a born misunderstander," said Miss Julia Desmond. "Now, I'm
not. Light your cigarette, man; you can give me one if you like, to
keep you in countenance. A light--thanks. Now will you speak, or shall
I?"
"You seem to have more to say than I, Miss Desmond."
"Ah, that's because you don't trust me. In other words, you don't know
me. That's one of the most annoying things in life: to be really an
excellent sort, and to be quite unable to make people see it at the
first go-off. Well, here goes. My worthy brother-in-law finds you and
my niece holding hands in a shed."
"We were not," said Vernon. "I was telling her fortune--"
"It's my lead now," interrupted the lady. "Your turn next. He being
what he is--to the pure all things are impure, you know--instantly
draws the most harrowing conclusions, hits you with a stick.--By the
way, you behaved uncommonly well about that."
Public-domain text, read in full here on John Shaqi.
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