Her sketch grew worse and worse. "It's no good," she said. "I can't do anything with it." She glanced at him. He had pushed back the hat. She saw quite plainly that he was smiling--a very little, but he _was_ smiling. Also he was looking at her, and across the fifteen yards of gray turf their eyes met. And she knew that he knew that this was not her first glance at him. She paled with fury. "He has been watching me all the time! He is making fun of me. He knows I can't sketch. Of course he can see it by the silly way I hold everything." She ran her knife around her sketch, detached it, and tore it across and across. The stranger raised his hat and called eagerly. "I say--please don't move for a minute. Do you mind? I've just got your pink gown. It's coming beautifully. Between brother artists--Do, please! Do sit still and go on sketching--Ah, do!" Betty's attitude petrified instantly. She held a brush in her hand, and she looked down at her block. But she did not go on sketching. She sat rigid and three delicious words rang in her ears: "Between brother artists!" How very nice of him! He hadn't been making fun, after all. But wasn't it rather impertinent of him to put her in his picture without asking her? Well, it wasn't she but her pink gown he wanted. And "between brother artists!" Betty drew a long breath. "It's no use," he called; "don't bother any more. The pose is gone." She rose to her feet and he came towards her. "Let me see the sketch," he said. "Why did you tear it up?" He fitted the pieces together. "Why, it's quite good. You ought to study in Paris," he added idly. She took the torn papers from his hand with a bow, and turned to go. "Don't go," he said. "You're not going? Don't you want to look at my picture?" Now Betty knew as well as you do that you musn't speak to people unless you've been introduced to them. But the phrase "brother artists" had played ninepins with her little conventions. "Thank you. I should like to very much," said Betty. "I don't care," she said to herself, "and besides, it's not as if he were a young man, or a tourist, or anything. He must be ever so old--thirty; I shouldn't wonder if he was thirty-five." When she saw the picture she merely said, "Oh," and stood at gaze. For it _was_ a picture--a picture that, seen in foreign lands, might well make one sick with longing for the dry turf and the pale dog violets that love the chalk, for the hum of the bees and the scent of the thyme. He had chosen the bold sweep of the brown upland against the sky, and low to the left, where the line broke, the dim violet of the Kentish hills. In the green foreground the pink figure, just roughly blocked in, was blocked in by a hand that knew its trade, and was artist to the tips of its fingers. "Oh!" said Betty again. "Yes," said he, "I think I've got it this time. I think it'll make a hole in the wall, eh? Yes; it is good!" "Yes," said Betty; "oh, yes." "Do you often go a-sketching?" he asked.