Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"I would do anything I could, you know," she said eagerly, "because it
is so awfully kind of you, and I do so want to be able to paint. What
can I do?"
"What can you do?" he asked, and brought his face a little nearer to
the pretty flushed freckled face under the shabby hat. Her eyes met
his. He felt a quick relenting, and drew back.
"Well, for one thing you could let me paint your portrait."
Betty was silent.
"Come, play up, you little duffer," he urged inwardly.
When she spoke her voice trembled.
"I don't know how to thank you," she said.
"And you will?"
"Oh, I will; indeed I will!"
"How good and sweet you are," he said. Then there was a silence.
Betty tightened the strap of her sketching things and said:
"I think I ought to go home now."
He had the appropriate counter ready.
"Ah, don't go yet!" he said; "let us sit down; see, that bank is quite
in the shade now, and tell me--"
"Tell you what?" she asked, for he had made the artistic pause.
"Oh, anything--anything about yourself."
Betty was as incapable of flight as any bird on a limed twig.
She walked beside him to the bank, and sat down at his bidding, and he
lay at her feet, looking up into her eyes. He asked idle questions:
she answered them with a conscientious tremulous truthfulness that
showed to him as the most finished art. And it seemed to him a very
fortunate accident that he should have found here, in this unlikely
spot, so accomplished a player at his favorite game. Yet it was the
variety of his game for which he cared least. He did not greatly
relish a skilled adversary. Betty told him nervously and in words
ill-chosen everything that he asked to know, but all the while the
undercurrent of questions rang strong within her--"When is he to teach
me? Where? How?"--so that when at last there was left but the bare
fifteen minutes needed to get one home in time for the midday dinner
she said abruptly:
"And when shall I see you again?"
"You take the words out of my mouth," said he. And indeed she had.
"She has no _finesse_ yet," he told himself. "She might have left that
move to me."
"The lessons, you know," said Betty, "and, and the picture, if you
really do want to do it."
"If I want to do it!--You know I want to do it. Yes. It's like the
nursery game. How, when and where? Well, as to the how--I can paint
and you can learn. The where--there's a circle of pines in the wood
here. You know it? A sort of giant fairy ring?"
She did know it.
"Now for the when--and that's the most important. I should like to
paint you in the early morning when the day is young and innocent and
beautiful--like--like--" He was careful to break off in a most natural
seeming embarrassment. "That's a bit thick, but she'll swallow it all
right. Gone down? Right!" he told himself.
"I could come out at six if you liked, or--or five," said Betty,
humbly anxious to do her part.
Public-domain text, read in full here on John Shaqi.
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