Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
The next time he went to Sevenoaks he looked in at the builders and
decorators, gave an order, and chose a wall paper with little pink
roses on it. When Betty came home for Christmas she should not find
her room the faded desert it was now. He ordered pink curtains to
match the rosebuds. And it was when he got home that he found the
letter that told him she was not to come at Christmas.
But he did not countermand his order. If not at Christmas then at
Easter; and whenever it was she should find her room a bower. Since
she had been away he had felt more and more the need to express his
affection. He had expressed it, he thought, to the uttermost, by
letting her go at all. And now he wanted to express it in detail, by
pink curtains, satin-faced wall-paper with pink roses. The paper cost
two shillings a piece, and he gloated over the extravagance and over
his pretty, poetic choice. Usually the wall-papers at the Rectory had
been chosen by Betty, and the price limited to sixpence. He would
refrain from buying that Fuller's Church History, the beautiful brown
folio whose perfect boards and rich yellow paper had lived in his
dreams for the last three weeks, ever since he came upon it in the rag
and bone shop in the little back street in Maidstone. When the rosebud
paper and the pink curtains were in their place, the shabby carpet was
an insult to their bright prettiness. The Reverend Cecil bought an
Oriental carpet--of the bright-patterned jute variety--and was
relieved to find that it only cost a pound.
The leaves were falling in brown dry showers in the Rectory garden,
the chrysanthemums were nearly over, the dahlias blackened and
blighted by the first frosts. A few pale blooms still clung to the
gaunt hollyhock stems; here and there camomile flowers, "medicine
daisies" Betty used to call them when she was little, their whiteness
tarnished, showed among bent dry stalks of flowers dead and forgotten.
Round Betty's window the monthly rose bloomed pale and pink amid
disheartened foliage. The damp began to shew on the North walls of the
rooms. A fire in the study now daily, for the sake of the books: one
in the drawing-room, weekly, for the sake of the piano and the
furniture. And for Betty, in far-away Paris, a fire of crackling twigs
and long logs in the rusty fire-basket, and blue and yellow flames
leaping to lick the royal arms of France on the wrought-iron
fire-back.
The rooms were lonely to Betty now that Paula was gone. She missed her
inexpressibly. But the loneliness was lighted by a glow of pride, of
triumph, of achievement. Her deception of her step-father was
justified. She had been the means of saving Paula. But for her Paula
would not have returned, like the Prodigal son, to the father's house.
Betty pictured her there, subdued, saddened, but inexpressibly happy,
warming her cramped heart in the sun of forgiveness and love.
"Thank God, I have done some good in the world," said Betty.
Public-domain text, read in full here on John Shaqi.
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