Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
In the brief interview which Vernon took to tell her that Paula had
gone to England with her father, Betty noticed no change in him. She
had no thought for him then. And in the next weeks, when she had
thoughts for him, she did not see him.
She could not but be glad that he was in Paris. In the midst of her
new experiences he seemed to her like an old friend. Yet his being
there put a different complexion on her act of mutiny. When she
decided to deceive her step-father, and to stay on in Paris alone
Paula had been to be saved, and _he_ had been, to her thought, in
Vienna, not to be met. Now Paula was gone--and he was here. In the
night when Betty lay wakeful and heard the hours chimed by a convent
bell whose voice was toneless and gray as an autumn sky it seemed to
her that all was wrong, that she had committed a fault that was almost
a crime, that there was nothing now to be done but to confess, to go
home and to expiate, as the Prodigal Son doubtless did among the
thorny roses of forgiveness, those days in the far country. But always
with the morning light came the remembrance that it was not her
father's house to which she must go to make submission. It was her
step-father's. And after all, it was her own life--she had to live it.
Once that confession and submission made she saw herself enslaved
beyond hope of freedom. Meanwhile here was the glad, gay life of
independence, new experiences, new sensations. And her step-father was
doubtless glad to be rid of her.
"It isn't as though anyone wanted me at home," she said; "and
everything here is so new and good, and I have quite a few friends
already--and I shall have more. This is what they call seeing life."
Life as she saw it was good to see. The darker, grimmer side of the
student life was wholly hidden from Betty. She saw only a colony of
young artists of all nations--but most of England and America--all
good friends and comrades, working and playing with an equal
enthusiasm. She saw girls treated as equals and friends by the men
students. If money were short it was borrowed from the first friend
one met, and quite usually repaid when the home allowance arrived. A
young man would borrow from a young woman or a young woman from a
young man as freely as school-boys from each other. Most girls had a
special friend among the boys. Betty thought at first that these must
be betrothed lovers. Miss Voscoe, the American, stared when she put
the question about a pair who had just left the restaurant together
with the announcement that they were off to the Musée Cluny for the
afternoon.
"Engaged? Not that I know of. Why should they be?" she said in a tone
that convicted Betty of a social lapse in the putting of the question.
Yet she defended herself.
"Well, you know, in England people don't generally go about together
like that unless they're engaged, or relations."
Public-domain text, read in full here on John Shaqi.
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