_Y. Mir._ Your sister's phrensy shall excuse your madness; and, to
show my concern for what she suffers, I'll bear the villain from her
brother.--Put up your anger with your sword; I have a heart like yours,
that swells at an affront received, but melts at an injury given; and,
if the lovely Oriana's grief be such a moving scene, 'twill find a part
within this breast, perhaps as tender as a brother's.
_Dug._ To prove that soft compassion for her grief, endeavour to remove
it.--There, there, behold an object that's infective; I cannot view her,
but I am as mad as she!
_Enter_ ORIANA, _held by Two Maids, who put her in a Chair_.
A sister, that my dying parents left, with their last words and
blessing, to my care. Sister, dearest sister! [_Goes to her._
_Old Mir._ Ay, poor child, poor child, d'ye know me?
_Oriana._ You! you are Amadis de Gaul, sir.--Oh! oh, my heart! Were
you never in love, fair lady? And do you never dream of flowers and
gardens?--I dream of walking fires, and tall gigantic sights. Take
heed, it comes now--What's that? Pray stand away: I have seen that
face, sure.--How light my head is!
_Y. Mir._ What piercing charms has beauty, even in madness!
_Oriana._ I cannot; for I must be up to go to church, and I must dress
me, put on my new gown, and be so fine, to meet my love. Heigho!--Will
not you tell me where my heart lies buried?
_Y. Mir._ My very soul is touch'd--Your hand, my fair!
_Oriana._ How soft and gentle you feel! I'll tell you your fortune,
friend.
_Y. Mir._ How she stares upon me!
_Oriana._ You have a flattering face; but 'tis a fine one--I warrant
you have five hundred mistresses--Ay, to be sure, a mistress for every
guinea in his pocket--Will you pray for me? I shall die to-morrow----And
will you ring my passing bell?
_Y. Mir._ Do you know me, injured creature?
_Oriana._ No,--but you shall be my intimate acquaintance--in the grave.
[_Weeps._
_Y. Mir._ Oh, tears! I must believe you; sure there's a kind of sympathy
in madness; for even I, obdurate as I am, do feel my soul so tossed with
storms of passion, that I could cry for help as well as she.
[_Wipes his Eyes._
_Oriana._ What, have you lost your lover? No, you mock me; I'll go home
and pray.
_Y. Mir._ Stay, my fair innocence, and hear me own my love so loud, that
I may call your senses to their place, restore them to their charming
happy functions, and reinstate myself into your favour.
_Bis._ Let her alone, sir; 'tis all too late: she trembles; hold her,
her fits grow stronger by her talking; don't trouble her, she don't know
you, sir.
_Old Mir._ Not know him! what then? she loves to see him for all that.
_Enter_ DURETETE.
_Dur._ Where are you all? What the devil! melancholy, and I here! Are ye
sad, and such a ridiculous subject, such a very good jest among you as I
am?
Public-domain text, read in full here on John Shaqi.
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