England -- Fiction; Honeymoons -- Fiction; Love stories; Man-woman relationships -- Fiction; Voyages and travels -- Fiction
"Rum go!" he said to himself. "Most extraordinary rum go."
VII
TUNBRIDGE WELLS
AN earnest and prolonged struggle with Charles now occupied Mr.
Basingstoke. Charles was determined to stand on the seat with his paws
on the side of the car, to look out and to be in readiness to leap out
should any passing object offer a more than trivial appeal. His master
was determined that Charles should lie on the mat in the bottom of the
car, and, what is more, that he should lie there quietly. The discussion
became animated and ended in blows. It was just at the crisis of the
affair, when Edward had lightly smitten the hard, bullet head and
Charles was protesting with screams as piercing as those of a locomotive
in distress, that the car wheeled into the highroad and narrowly missed
a dog-cart coming up from Seaford. As they passed, Edward's hand went to
his hat, for the driver of the dog-cart was Miss Davenant.
Charles, partially released, leaped toward the lady, only to hang by
his chain over the edge of the car. By the time he had been hauled in
again and cuffed into comparative quiescence Miss Davenant was left far
behind, a little, gesticulating figure against the horizon. Her gestures
seemed to Edward to be gestures of recall. But he disregarded them. It
was not till later that he regretted this.
A final struggle with Charles ended in victory, not because Edward had
enforced his will on that strong and strenuous nature, but because
Charles was now exhausted and personally inclined to surrender. He lay
at last on the floor of the car, his jaws open in a wide, white-toothed
smile, and his pink tongue palpitating to his panting breaths. Edward
sat very upright, his hands between his knees, holding the shortened
chain of Charles. Mile after mile of the smooth down country slipped
past, the car had whirled down the narrow, tree-bordered road into
Alfreston, past the old church and the thirteenth-century, half-timbered
Clergy House, where three little girls in green pinafores were seeking
to coerce a reluctant goat along to Polegate and across the railway
lines, and still Mr. Basingstoke never moved. His mind alone was alive,
and of his body he was no longer conscious. He thought and thought and
thought. Why had she left the farm? Had she been frightened? Had she
been captured? Where had she gone? And why? And behind all these
questions was a background of something too vague and yet too
complicated to be called regret--or something which, translated into
words, might have gone something like this:
Public-domain text, read in full here on John Shaqi.
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