The Independence of ClaireVaizey, George de Horne, Mrs.
General
The Independence of Claire
Vaizey, George de Horne, Mrs.
Love stories; Mothers and daughters -- Fiction; Teachers -- Fiction; Young women -- Fiction
Produced by Nick Hodson of London, England
The Independence of Claire
By Mrs George de Horne Vaizey
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This is a rather typical Horne Vaizey book, about the life led by young
well-brought-up women in Edwardian times. Worries about money, about
who to marry, whether to go or not to parties to be given by elderly
hostesses, about clothes, about hair-styles, and even, as so often in
this author's books, with a bit of illness thrown in as well.
There's a time when Claire seems on the way to making a big mistake, but
it all gets sorted out in the end. Make an audiobook of this book -
that is probably the best way to enjoy it.
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THE INDEPENDENCE OF CLAIRE
BY MRS. GEORGE DE HORNE VAIZEY
CHAPTER ONE.
"I'LL HAVE TO DO IT."
Claire Gifford stood in the salon of the Brussels pension which had been
her home for the last three years, and bent her brows in consideration
of an all-absorbing problem. "Can I marry him?" she asked herself once
and again, with the baffling result that every single time her brain
answered instantly, "_You must_!" the while her heart rose up in
rebellion, and cried, "I won't!" Many girls have found themselves in
the same predicament before and since, but few have had stronger reasons
for sacrificing personal inclination on the altar of filial duty than
Claire knew at this minute.
To begin with, the relationship between herself and her mother was more
intimate than is usually the case, for Claire was an only child, and
Mrs Gifford a widow only eighteen years older than herself. Briefly
stated, the family history was as follows--Eleanor Guyther had been the
only child of stern, old-world parents, and at seventeen had run away
from the house which had been more like a prison than a home, to marry a
handsome young artist who had been painting in the neighbourhood during
the summer months; a handsome merry-faced boy of twenty-one, whose
portrait Claire treasured in an old-fashioned gold locket, long since
discarded by her mother, who followed the fashion in jewellery as well
as in dress. It was strange to look at the face of a father who was no
older than oneself, and Claire had spent many hours gazing at the
pictured face, and trying to gain from it some idea of the personality
of the man of whom her mother persistently refused to speak.
Public-domain text, read in full here on John Shaqi.
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