The Indian Lily and Other StoriesSudermann, Hermann
General
The Indian Lily and Other Stories
Sudermann, Hermann
Short stories, German -- Translations into English; Sudermann, Hermann, 1857-1928 -- Translations into English
Six years passed. Then Thea met me again. She had been gracious enough
to leave her home in the island valley of Avilion, to play the
soubrette parts in the theatre of the university town in which I was
fencing and drinking for the improvement of my mind.
Upon her little red shoes she tripped across the stage. She let her
abbreviated skirts wave in the boldest curves. She wore black silk
stockings which flowed about her delicate ankles in ravishing lines
and disappeared all too soon, just above the knee, under the hem of
her skirt. She plaited herself two thick braids of hair the blue
ribands of which she loved to chew when the modesty that belonged to
her part overwhelmed her. She sucked her thumb, she stuck out her
tongue, she squeaked and shrieked and turned up her little nose. And,
oh, how she laughed. It was that sweet, sophisticated, vicious
soubrette laughter which begins with the musical scale and ends in
a long coo.
Show me the man among us whom she cannot madden into love with all the
traditional tricks of her trade. Show me the student who did not keep
glowing odes deep-buried in his lecture notes--deep-buried as the
gigantic grief of some heroic soul....
And one afternoon she appeared at the skating rink. She wore a
gleaming plush jacket trimmed with sealskin, and a fur cap which sat
jauntily over her left ear. The hoar frost clung like diamond dust to
the reddish hair that framed her cheeks, and her pink little nose
sniffed up the cold air.
After she had made a scene with the attendant who helped her on with
her shoes, during which such expressions as "idiot," had escaped her
sweet lips, she began to skate. A child, just learning to walk, could
have done better.
We foolish boys stood about and stared at her.
The desire to help her waxed in us to the intensity of madness. But
when pouting she stretched out her helpless arms at us, we recoiled as
before an evil spirit. Not one of us found the courage simply to
accept the superhuman bliss for which he had been hungering by day and
night for months.
Then suddenly--at an awful curve--she caught her foot, stumbled,
wavered first forward and then backward and finally fell into the arms
of the most diffident and impassioned of us all.
And that was I.
Yes, that was I. To this day my fists are clenched with rage at the
thought that it might have been another.
Among those who remained behind as I led her away in triumph there was
not one who could not have slain me with a calm smile.
Under the impact of the words which she wasted upon my unworthy self,
I cast down my eyes, smiling and blushing. Then I taught her how to
set her feet and showed off my boldest manoeuvres. I also told her
that I was a student in my second semester and that it was my ambition
to be a poet.
"Isn't that sweet?" she exclaimed. "I suppose you write poetry
already?"
I certainly did. I even had a play in hand which treated of the fate
of the troubadour Bernard de Ventadours in rhymeless, irregular verse.
Public-domain text, read in full here on John Shaqi.
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