The Indian Lily and Other StoriesSudermann, Hermann
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The Indian Lily and Other Stories
Sudermann, Hermann
Short stories, German -- Translations into English; Sudermann, Hermann, 1857-1928 -- Translations into English
"Is there a part for me in it?" she asked.
"No," I answered, "but it doesn't matter. I'll put one in."
"Oh, how sweet that is of you!" she cried. "And do you know? You must
read me the play. I can help you with my practical knowledge of
the stage."
A wave of bliss under which I almost suffocated, poured itself out
over me.
"I have also written poems--to you!" I stammered. The wave carried me
away. "Think of that," she said quite kindly instead of boxing my
ears. "You must send them to me."
"Surely."...
And then I escorted her to the door while my friends followed us at a
seemly distance like a pack of wolves.
The first half of the night I passed ogling beneath her window; the
second half at my table, for I wanted to enrich the packet to be sent
her by some further lyric pearls. At the peep of dawn I pushed the
envelope, tight as a drum with its contents, into the pillar box and
went to cool my burning head on the ramparts.
On that very afternoon came a violet-tinted little letter which had an
exceedingly heady fragrance and bore instead of a seal a golden lyre
transfixed by a torch. It contained the following lines:
"DEAR POET:
"Your verses aren't half bad; only too fiery. I'm really in a hurry to
hear your play. My old chaperone is going out this evening. I will be
at home alone and will, therefore, be bored. So come to tea at seven.
But you must give me your word of honour that you do not give away
this secret. Otherwise I won't care for you the least bit.
"Your THEA." Thus did she write, I swear it--she, my faery, my Muse,
my Egeria, she to whom I desired to look up in adoration to the last
drawing of my breath.
Swiftly I revised and corrected and recited several scenes of my play.
I struck out half a dozen superfluous characters and added a
dozen others.
At half past six I set out on my way. A thick, icy fog lay in the air.
Each person that I met was covered by a cloud of icy breath.
I stopped in front of a florist's shop.
All the treasures of May lay exposed there on little terraces of black
velvet. There were whole beds of violets and bushes of snow-drops.
There was a great bunch of long-stemmed roses, carelessly held
together by a riband of violet silk.
I sighed deeply. I knew why I sighed.
And then I counted my available capital: Eight marks and seventy
pfennigs. Seven beer checks I have in addition. But these, alas, are
good only at my inn--for fifteen pfennigs worth of beer a piece.
At last I take courage and step into the shop.
"What is the price of that bunch of roses?" I whisper. I dare not
speak aloud, partly by reason of the great secret and partly through
diffidence. "Ten marks," says the fat old saleswoman. She lets the
palm leaves that lie on her lap slip easily into an earthen vessel and
proceeds to the window to fetch the roses.
I am pale with fright. My first thought is: Run to the inn and try to
exchange your checks for cash. You can't borrow anything two days
before the first of the month.
Public-domain text, read in full here on John Shaqi.
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