The Indian: On the Battle-Field and in the Wigwam — John Shaqi
The Indian: On the Battle-Field and in the WigwamFrost, John
History
The Indian: On the Battle-Field and in the Wigwam
Frost, John
Indians of North America
The first man on the list, was Ha-wan-ghee-ta, (one horn,) head chief
of the nation, and after him the subordinate chief, or chiefs of bands,
according to the estimation in which they were held by the chief or
tribe. My models were thus placed before me, whether ugly or beautiful,
all the same, and I saw at once there was to be trouble somewhere, as
I could not paint them all. The medicine-men or high priests, who are
esteemed by many the oracles of the nation, and the most important
men in it--becoming jealous, commenced their harangues, outside of
the lodge, telling them that they were all fools--that those who were
painted would soon die in consequence; and that these pictures, which
had life to a considerable degree in them, would live in the hands of
white men after they were dead, and make them sleepless and endless
trouble.
Those whom I had painted, though evidently somewhat alarmed, were
unwilling to acknowledge it, and those whom I had not painted, unwilling
to be outdone in courage, allowed me the privilege; braving and defying
the danger that they were evidently more or less in dread of. Feuds
began to arise too, among some of the chiefs of the different bands,
who, (not unlike some instances among the chiefs and warriors of our own
country,) had looked upon their rival chiefs with unsleeping jealousy,
until it had grown into disrespect and enmity. An instance of this
kind presented itself at this critical juncture, in this assembly of
inflammable spirits, which changed in a moment, its features, from the
free and jocular garrulity of an Indian levee, to the frightful yells
and agitated treads and starts of an Indian battle. I had in progress
at this time, a portrait of Mah-to-tchee-ga, (little bear;) of the
Onc-pa-pa band, a noble fine fellow, who was sitting before me as I was
painting. I was painting almost a profile view of his face, throwing a
part of it into shadow, and had it nearly finished, when an Indian by
the name of Shon-ka, (the dog,) chief of the Caz-a-zshee-ta band, an
ill-natured and surly man--despised by the chiefs of every other band,
entered the wigwam in a sullen mood, and seated himself on the floor in
front of my sitter, where he could have a full view of the picture in
its operation. After sitting a while with his arms folded, and his lips
stiffly arched with contempt, he sneeringly spoke thus:
“Mah-to-tchee-ga is but half a man.”
Dead silence ensued for a moment, and nought was in motion save the
eyes of the chiefs, who were seated around the room, and darting their
glances about upon each other in listless anxiety to hear the sequel
that was to follow! During this interval, the eyes of Mah-to-tchee-ga
had not moved--his lips became slightly curved, and he pleasantly asked
in low and steady accent, “Who says that?”
Public-domain text, read in full here on John Shaqi.
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