The Indian Princess; Or, La Belle Sauvage — John Shaqi
The Indian Princess; Or, La Belle SauvageBarker, James Nelson
General
The Indian Princess; Or, La Belle Sauvage
Barker, James Nelson
American drama
While I am proud to acknowledge my grateful sense of those flattering
marks of liberal kindness with which my dramatic entree has been greeted
by an indulgent audience, I feel so fully conscious of the very humble
merit of this little piece, that perhaps nothing but the peculiar
circumstances under which it was acted should have induced me to publish
it. In sending it to the press I am perfectly apprized of the probability
that it goes only to add one more to the list of those unfortunate
children of the American drama, who, in the brief space that lies between
their birth and death, are doomed to wander, without house or home,
unknown and unregarded, or who, if heeded at all, are only picked up by
some critic beadle to receive the usual treatment of vagrants. Indeed,
were I disposed to draw comfort from the misfortunes of others, I might
make myself happy with the reflection, that however my vagabond might
deserve the lash, it would receive no more punishment than those who
deserved none at all; for the gentlemen castigators seldom take the pains
to distinguish Innocence from Guilt, but most liberally bestow their
stripes on all poor wanderers who are unhappily of American parentage.
Far, however, from rejoicing at this circumstance, I sincerely deplore it.
In all ages, and in every country, even the sturdiest offspring of genius
have felt the necessity and received the aid of a protecting hand of
favour to support and guide their first trembling and devious footsteps;
it is not, therefore, wonderful, that here, where every art is yet but in
its infancy, the youthful exertions of dramatic poetry, unaided and
unsupported, should fail, and that its imbecile efforts should for ever
cease with the failure; that chilled by total neglect, or chid with
undeserved severity; depressed by ridicule, starved by envy, and stricken
to the earth by malevolence, the poor orphan, heartless and spirit-broken,
should pine away a short and sickly life. I am not, I believe, quite
coxcomb enough to advance the most distant hint that the child of my brain
deserves a better fate; that it may meet with it I might, however, be
indulged in hoping, under the profession that the hope proceeds from
considerations distinct from either it or myself. Dramatic genius, with
genius of every other kind, is assuredly native of our soil, and there
wants but the wholesome and kindly breath of favour to invigourate its
delicate frame, and bid it rapidly arise from its cradle to blooming
maturity. But alas! poor weak ones! what a climate are ye doomed to draw
your first breath in! the teeming press has scarcely ceased groaning at
your delivery, ere you are suffocated with the stagnant atmosphere of
entire apathy, or swept out of existence by the hurricane of unsparing,
indiscriminating censure!
Public-domain text, read in full here on John Shaqi.
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