The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, Havasupais — John Shaqi
The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, HavasupaisJames, George Wharton
Religion
The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, Havasupais
James, George Wharton
Indians of North America -- Southwest, New
Oh! the pathos, the woe, the untold but clearly written misery
of the centuries in these cliff-built houses of the mesas, these
residences that are fortresses, these steep trail-approached and
precipice-protected homes. In a desert land, surrounded by relentless,
wary, and vigilant foes, ever fighting a hard battle with the adverse
conditions of their environment, short of water, of firewood, and
with food grown in the desert-rescued lands below where at any moment
the ruthless marauder might appear, there is no wonder that almost
every elderly face is seamed and scarred; furrowed deeply with the
accumulated centuries of never-ceasing care. Mystery here seems at
first to reign supreme. It stands and faces one as a Presence. It
hovers and broods, and you feel it even in your sleep. The air is full
of it. The very clouds here are mysterious. Who are these people?
From whence came they? What is their destiny? What fearful battles,
race hatreds, devastating wars, led them to make their homes on
these inaccessible cliffs? How did they ever conceive such a mass of
elaborate ceremonial as now controls them? Solitary and alone they
appear, a vast question mark, viewed from every standpoint. Whichever
way one looks at them a great query stares him in the face. They are
the chief mystery of our country, an anachronism, an anomaly in our
twentieth-century civilization.
When we see the ruins of Egypt, India, Assyria, we look upon something
that is past. Those peoples _were_: they pertain to the ages that are
gone. Their mysteries are of lives lived in the dim ages of antiquity.
But here are antique lives being lived in our own day; pieces of
century-old civilizations transplanted, in time and place, and brought
into our time and place; the past existent in the present; the lapse
of centuries forgotten, and the days of thousands of years ago bodily
transferred into our commercial, super-cultured, hyper-refined age.
The approach to the first mesa from Keam's Canyon is through a sandy
country, which, in places, is dry, desolate, and bare. But here and
there are patches of ground upon which weeds grow to a great height,
plainly indicating that with cultivation and irrigation good crops
could be raised. As we leave the mouth of the canyon the singular
character of this plateau province is revealed. To the south the sandy
desert, in lonesome desolation, stretches away as far as the eye can
reach, its wearisome monotony relieved only by the close-by corn-fields
of the Hopis and the peculiar buttes of the Mogollons. With the sun
blazing down upon it, its forbidding barrenness is appalling. Neither
tree, shrub, blade of grass, animal, or human habitation is to be seen.
The sand reflects the sun's rays in a yellow glare which is irritating
beyond measure, and which seems as if it would produce insanity by its
unchangeableness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account