The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, HavasupaisJames, George Wharton
Religion
The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, Havasupais
James, George Wharton
Indians of North America -- Southwest, New
The Hopis themselves are not aware of the why and wherefore of all they
do. For centuries they have followed "the ways of the old," until they
are ultra conservatives, especially in matters pertaining to religion.
I have already referred to and described the kivas or underground
ceremonial chambers, where many of their rites are performed.
Six objects closely connected with their worship should be thoroughly
understood, as such knowledge will simplify a thousand and one things
that will otherwise appear mysterious to one who visits the Hopis for
the first time. These objects are the _baho_ (prayer stick or plume),
the _puhtabi_ (road marker), the _tiponi_, the _natchi_, the _shrine_,
and the _katchina_.
The baho is inseparably connected with all religious ceremonies and
prayers. Without it prayers would be inefficacious. Generally, before
every ceremony is performed, a certain time is given to the making of
bahos. One form of baho is made of two sticks, painted green with black
points, one male and the other female, tied together with a string made
of native cotton, and cut to a prescribed length. A small corn husk,
shaped like a funnel and holding a little prayer meal and honey, is
attached to the sticks at their place of union. Tied to this husk is a
short, four-stranded cotton string, on the end of which are two small
feathers. A turkey wing-feather and a sprig of two certain herbs are
tied so as to protrude above the butt ends of the sticks, and the baho
is complete.
Other bahos are made of flat pieces of board, anywhere from a foot to
three feet in length, and two inches or more wide, to which feathers
and herbs are attached. On the face of these figures of katchinas,
animals, reptiles, and natural objects, such as rain-clouds, descending
rain, corn, etc., are painted, every object having a distinct and
symbolic meaning. In other cases the bahos are carved into the zigzag
shape of the lightning. The Soyal bahos are many and various. Some
are long, thin sticks, with cotton strings and feathers attached near
the ends; others are thicker, with many feathers tied to the centre;
some are bent or crook-shaped, while still others are long willow
switches to which eagle, hawk, turkey, flicker, and other feathers
are tied. They are made with great care and solemnity and prayed over
and "consecrated" before being used. They are "prayer bearers," the
feathers symbolizing the birds who used to fly to and from the World of
the Powers with their messages to mankind and the answers thereto.
The puhtabi (or road marker) is a long piece of native cotton string,
to which a feather or feathers are attached, and it is placed on the
trails to mark the beginning of the road (hence its name) to the
shrines which are to be visited during the ceremonies.
Public-domain text, read in full here on John Shaqi.
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