The Indifference of JulietRichmond, Grace S. (Grace Smith)
General
The Indifference of Juliet
Richmond, Grace S. (Grace Smith)
American fiction -- 19th century
"Well--for a son of the Robesons of Kentucky you are absolutely the most
absurd boy anybody ever heard of," declared the girl hotly under her
breath. Then she walked over and ordered a certain inexpensive rug for the
living-room with the air of a princess and the cheeks of a poppy.
IV.--THE COST OF FROCKS
It may have been that Miss Marcy was piqued into trying to see how little
she could spend, but certain it was that from the time she left the carpet
shop she begged for no exceptions to Mr. Robeson's rule of strict economy.
She selected simple, delicate muslins for the windows, one and all,
without a glance at finer draperies; bought denims and printed stuffs as
if she had never heard of costlier upholsteries; and turned away from
seductive pieces of Turkish and Indian embroideries offered for her
inspection with a demure, "No, I don't care to look at those now," which
more than once brought a covert smile to Anthony's lips and a twinkle to
the eyes of the salesman. It was so very evident that the fair buyer did
not pass them by for lack of interest.
Altogether, it was an interesting week these three people spent--for a
week it took. Anthony began to protest after the first two days, and said
he could not ask so much of his friends. But Juliet would not be hindered
from taking infinite pains, and Mrs. Dingley good humouredly lent the two
her chaperonage and her occasional counsel, such as only the gray-haired
matron of long housewifely experience can furnish.
The selection of the furniture took perhaps the most time, and was the
hardest, because of the difficulty of finding good styles in keeping with
the limited purse. Anthony possessed a number of good pieces of antique
character, but beyond these everything was to be purchased. Juliet turned
in despair from one shop after another, and when it came to the fitting of
the dining-room she grew distinctly indignant.
"It's a perfect shame," she said, "that they can't offer really good
designs in the cheap things. Did you ever see anything so hideous? Tony,
if I were you I'd rather eat my breakfast off one of those white kitchen
tables--or----"
She broke off suddenly, rushed away down the long room to a group of
chastely elegant dining-room furniture and came back after a little with a
face of great eagerness to drag her companions away with her. She took
them to survey a set of the costliest of all.
"Have you gone crazy?" Anthony inquired.
"Not at all. Tony, just study that table. It's massive, but it's
simple--simple as beauty always is. Look at those perfectly straight
legs--what clever cabinet maker couldn't copy that in--in ash, Tony? Then
there are stains--I've heard of them--that rub into wood and then finish
in some way so it's smooth and satiny. You could do that--I'm sure you
could. Then you'd get the lovely big top you want. And the chairs--do you
see the plain, solid-looking things? I know they could be made this way.
Then the dining-room would be simply dear!"
Public-domain text, read in full here on John Shaqi.
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